These are the posts that mention making paint, or about the various colors of earth pigments and watercolor paints I’ve made. To read more in depth about the pigments and paints I make visit my Paleo Paints blog: https://www.paleopaints.com/category/colors/
For the past few days I’ve had to make a detour from my Detour for a Thirsty Raven painting. Because my art is made from natural materials, it means I have to take the time to replenish my supplies from time to time. So, I’ve been washing pigments and making paint. Besides, the layers of …
Eventually, once I’ve made more paints, I’ll write a page on my process with that. In the meantime, for those wishing to know where I get the empty tubes for oil paints, here’s a link. I get them from Amazon, and this is an affiliate link. So if you buy something after clicking through, I’ll …
Madison Woods paints with natural pigments and works with a limited palette. She paints scenes in colors native to the location.
Most of my paints begin with a rock. Sometimes I remember to record the process it goes through from rock to paint, and sometimes the process isn’t quick. This is the story of a paint made from a reddish sandstone found here at Wild Ozark. It’s the provenance of Number 2021-01. I’m still working with …
Oh my, what a huge case of mistaken identity. The tree I’d assumed was sassafras is definitely not. It’s an Osage orange. And yes, I do know those two trees look entirely different, but all I had to go on were roots and a weathered trunk.
I’ve been watchfully waiting for this week to begin. All summer, I’ve waited. Watching. And I was beginning to get a little worried that they might not be here this year. But this week the dayflowers bloomed and the pigment foraging began. Yesterday I left the house at nearly 0830 and it was already hot …
Pigment Foraging | Late Summer Means it’s Time for the BLUE! Read More »
There’s a black, gritty stone that lives here at Wild Ozark and I do not know what it is. I *think* it is a form of bitumen, a very poor quality sort of coal. Whatever it is, this is the best source for black pigment that I’ve found. Previous to this discovery, charred bone was …
Black Pigment | My Favorite Source is the Hardest Read More »
The first time I saw it, the thought that it isn’t sandstone did run through my mind. Other possibilities include bituminous coal. Could that be what this strangely behaving rock is?
When I want a certain color of paint, I’ll go to the creek to look for the rocks I’ll need. In this case, the color is a rich russet – brown with orange influence. What is the color story behind the rocks? But that’s not really where the color story starts. The story starts when …
A Color Story | Earth Pigments | From Rocks to Paint Read More »
Behind the Scenes of a Wildlife Art Commission, with an artist who makes her own paints from local pigments.
These are the ways my muse speaks to me. The messages are given through the flora and fauna of my habitat, and I (try to) pass it along to you in the form of art. This task is something I consider to be sacred. Everything about the act of doing it, from gathering the rocks to the destruction and subsequent re-creation into usable paints, to the transference of an idea into reality on paper… it all is part of a sacred art.
New technologies revealed some new details in The Girl with the Pearl Earring. I’d say that 355 years is an excuse enough for faded eyelashes.
I’ve finally been making the paints long enough to see some repetition in the colors. They’ll never be exact from batch to batch, but I’m getting a sense of what to expect from the various rocks I use. Here are the Ozark pigment profiles of the ones I use most often. The Pigments Red Red …
Here’s the lineup for January exhibits and events featuring Wild Ozark Paleo Paints and Paintings. Come out and say hello!
Early this morning my friend moved through the doorway of this life and into the realm of whatever lies beyond. And because making paint is meditative to me, that’s what I did for most of my time today. What comes after I know everyone has their own ideas about what comes next when a person …
Today I experimented with Osage root bark to see if it will make paint. Ordinarily, I avoid using plant pigments because they tend to be fugitive, meaning they fade or discolor with time. Some plant pigments, like the green I get from china berries, will completely disappear within a few days of sunlight exposure! I …
I’m so excited to announce that my ‘Working the Dark Waters‘ fantasy painting is going to hang in the November Group Art Show at the Jones Gallery in Kansas City, MO for the month of November. This one, as well as the 1894 Gallery show, were national juried shows. So during the month of November …
A Painting was accepted! Jones Gallery November Exhibit Read More »
Blood of the Ozarks no. 1, The first of the fall Driftwood Palette collections at Wild Ozark will be available at the Heart of Rogers show on Oct. 18.
Here’s the process for Ponca in Summertime. Ponca in Summertime started out plein air. I went out there one morning in August with my Ozark pigments and a plan to paint what I saw.
Here’s the things I learned in my attempts to paint a portrait of myself that didn’t look like a monster. I use only my Ozark pigments, so it’s a limited palette. Click the title…
I’m working on a series of nature fantasy paintings in Ozark pigments with my handmade watercolors. Click the title to read more…
“Destination Unknown”, in Ozark earth pigments. Media is handmade watercolors using real earth pigments on Fabriano 300# (hot press) and measures 16″ x 20″. The Red-tailed hawk is one of the birds in my ongoing Ozark Birds of Prey project. Click the title to see the process …
Oh, the potential of a smashed rock. My first painting wasn’t spectacular, and I knew it I had some work to do to get better at it. Read more…
These tiny jars make it easy to store your handmade watercolor paints in the refrigerator in between pours. Click through to see why.
