Through Ice and Mud We Go – Bringing Hay to Horses

Through Ice and Mud. Ice in the spring puddles on the way to the top gate in the horse's field.
Ice in the spring puddles on the way to the top gate in the horse’s field.

Through Ice and Mud

Whether through ice and mud, or snow, or rain or wind, kind of like the postman’s creed to deliver mail, we must deliver hay to the horses.

It’s easy to stay in touch with the wheel of time when you repeat a certain activity outdoors throughout the year. I like this facet of living out here.

I’m sure everyone everywhere has a similar regular activity that would allow them to notice the passage of time and seasons, but how many take note?

Why does it matter?

It’s so easy to get caught up in a frenetic life these days. As for myself, I’m get overwhelmed with too many irons in the fire. I have a tendency to be a workaholic. Even though what I do for a living is creative and I enjoy it, I still manage to get disconnected from the baseline that’s important to me.

When the list of things to do gets so long there’s no end in sight, a simple reconnection to nature helps me to feel more centered and grounded.

Noticing

Taking note of the changing seasons is one way I get reconnected on a regular basis. No matter whether the weather is typical or atypical, being outside brings me into close contact with the passage of time throughout a year.

Our winter this year seems to have taken a long time to arrive. When the ice begins to skim the spring puddles, getting out there to experience it is a physical connection to the fact that it is indeed winter now.

I can’t explain very effectively how this helps, but it does. It satisfies something in me on a deep and personal level to make this connection to nature.

Reconnecting and Getting Back on Task

After playing for a little while in the ice and mud while bringing the hay to the horses this morning, I came back inside and organized my daily list of things to do with better focus on the task.

So it was a small thing, but the blast of cold helped. Stopping along the way to break some ice in the puddle wasn’t necessary. It was just for the fun of it. I like seeing the glassy shards of clear spring water. I took some pictures and immersed in the moment.

Year round I do similar things. Every time I begin to feel anxious about not getting enough done, I make a special effort to get outside and make contact with the world around me.

My World

The world around me is nearly wilderness. I like this. Ice and mud in spring puddles please me in strange ways, I guess. Perhaps it is a thing that appeals to my inner child. But if I lived in a city, I’m sure I’d find some other way to make this contact meaningful.

If you notice the little things in your surroundings, is there anything special that you do to facilitate that connection? Do you stop and savor the moments like this throughout your year?



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Making Twig Art: Gumball Folk Bride and Groom

My granddaughter stayed the night with us last night and today I thought we could make some twig art together. She wanted us to make a bride and groom Forest Folk pair, so we went outside to gather some botanicals.

We picked up some gumballs from the sweet gum tree out front, along with a few acorn caps, and some sticks. Then we found a nice soft and fluffy feather that would work great for hair or hat. I had some dried wildflowers on hand and sumac berries, too.

The only other things necessary to make twig art with these botanicals were a glue gun, a pair of wire-cutter pliers, and tweezers. Tweezers are wonderful inventions that keep fingertips from getting burned in hot glue. I’m ashamed to admit it took several burns before I figured this out.

Gumballs, acorn caps, dried flowers, and a soft feather. Twig art supplies all spread out.
Gumballs, acorn caps, dried flowers, and a soft feather. Twig art supplies all spread out.

Making Twig Art

We made the very first Gumball Folk! All Gumball Folk are also Forest Folk.

Chloe’s not old enough yet to use the glue gun without burning her fingers, so I did all the putting to gether. She helped gather the gumballs and held some of the things while I added the glue.

The first thing I usually do is work on the head. If I’m going to add hair, I do that first.  We added some tiny glass eyes to these, too. Then I’ll cut a medium diameter twig for the body.

How the head is positioned on the twig depends on what the Folk is doing. Reading Folk usually have their faces tilted downward toward a book in hand. The Groom needed to be slightly looking down toward the Bride, who needed to look slightly upward toward the Groom.

Adding Details

Once the head is attached to the body, I’ll add the legs. I usually use a slab of hickory bark to mount the Folk on if they’re standing. This is a lot more stable than a twig figure standing alone.

Before I add arms, especially on the female figures, I’ll add the clothing around the hips and upper legs. That’s so much easier than trying to do it around fragile arms in the way.

This Gumball Folk Bride is wearing a grass and dried wildflower skirt accented with the red sumac (NOT poison sumac) berries.

The Gumball Folk Groom’s shoes are made from a wildflower seed cone cut in half. The seeds are gone from the plant and it left behind an interesting form, so I gathered them thinking I’d find a way to use them sooner or later. Worked great!

Which Botanicals to Use?

Sometimes I do use botanicals that could be harmful if eaten. But for a project with children, it’s best to use things that can’t cause trouble. None of my artwork is intended to be consumed, so I’m not really picky about what I use except I generally don’t use things I know to be dangerous.

But if it’s beautiful, natural, and not going to cause the plant population to decline if I use it, it’s fair game no matter what it is. Sometimes I’ll not harvest berries from plants that are in short supply here, so the seeds inside will have more opportunity to repopulate new plants.

The sumac berries I used on the Bride’s shoes and skirt are a good example. This is not poison sumac, but an edible berry from a shrub called sumac.

Bride and Groom Gumball Folk.
Bride and Groom Gumball Folk. Check out their groovy little shoes.

Chloe took these prototypes home with her, so I’ll have to make some more soon so I can take some better photos.

These would make interesting nature art cake toppers for someone having an interesting wedding 😉 When the next ones are made and I get the photos, I’ll load it to Etsy so you can get a better look at them.

Twig Art Workshop

If you’d like to create some Forest Folk of your own and want some guidance, make plans to attend my workshop on Dec. 16 at the Ozark Folkways center in Winslow, AR. It’s just in time to make some for Christmas gifts!



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Test Firing the Native Clay – Failure and Success

Yesterday I posted about cleaning the native clay and the test firing I planned to do once they dried out enough.

I’m too impatient. I should have waited another day, maybe even longer because the clay was pretty wet when I first worked the little ball and circle.

They exploded to smithereens almost as soon as I put them in the coals.

Plan B

So, I pulled out the first test ball I’d made a while back. It was in storage in my studio/office and I KNEW it would be dry. I had already fired it for a short amount of time last winter. I hoped this would compare to a “bisque” firing, because what I planned to do with it would test the limits.

It wasn’t as smooth and I hadn’t burnished it, but it was made the same clay. This was just one of the small clean clay lumps in the chunk, so it hadn’t gone through the sieves and process the others had.

Test Firing and Pushing the Limits

I opened the wood stove, made a nice little bed of glowing embers, where the previous test pieces had been but now were nowhere to be found, put the test ball in the embers and covered it with more hot coals.

Test firing underway, and quiet so far. Unlike the previous episode that sounded like fireworks going off inside the wood stove. Whew.

When the little ball became red hot I pulled it out with the tongs and dropped it into cold water as if I were making a Raku pot and ducked for cover.

It survived!

This was once the same color as the test pieces I just blew to smithereens in the test firing.
This was once the same color as the test pieces I just blew to smithereens in the test firing. It was not as smooth or “finished” as the original test piece.

Now it has some blackened areas and some rust colored area and I like it. More tests to come once the new pieces dry much longer. Very encouraged in spite of this little setback. I learned some things!

More Stress Testing

Next I wanted to know if I could drill into it with my Dremel tool. Sometimes I just need to put a hole into pieces I’m working with. If I’d think of it before firing, I could just put the hole in before the clay hardens.

Anyway, it did take the drilling okay. I lost my grip on it for a second and it twisted, resulting in a flake chipping off of it, but not too bad.

After the test-firing, I wanted to put a hole in the top of this so I could insert the stem and glue it. Now, this little "Folk" will have an interesting hair piece made from the clematis seedpod.
After the test-firing, I wanted to put a hole in the top of this so I could insert the stem and glue it. Now, this little “Folk” will have an interesting hair piece made from the clematis seed pod.

So that’s it for the reporting on my experiments for now. Tomorrow we’ll be at AFIC cooking more of our Burnt Kettle Shagbark Hickory Syrup. Then I’ll be getting ready for the market.

Market Plans

I’m not planning to bring my Forest Folk out again because they’re too fragile to keep boxing them up and setting them out, then reboxing and bringing them home over and over. If you want one and want me to bring it to market for you, just email me. Most of the market-goers are there for vegetables and bread, and crafts just aren’t doing very well, anyway.

If you’d like some hands-on fun at a Forest Folk Workshop, plan to attend in Winslow on December 16.

Next round of tests

Here’s the two I fired yesterday on 11/3/17. The one in the back hasn’t been fired yet. The one on the left was burnished before firing and the black one on the right was not. Both were dropped into water as soon as I pulled them from the fire. Both performed exceptionally! I can’t wait to make more things.

The second set of test pieces - they survived!
The second set of test pieces – they survived!


About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Nature Drawing in Progress: American ginseng in October

Two years ago I made a nature drawing of American ginseng in October, with yellowing leaves against the dark backdrop of the Wild Ozark forest.

Repeating the Same Nature Drawing

Since that time I’ve learned a little more about certain techniques I can use with my pencils, specifically blending, and so I wanted to re-draw the picture so I can enter it into a contest.

Usually I like to scan each step as I go along with a drawing, but for this one I forgot. This one picks up at the blending of the background stage.

Background First

You can see in the image that most of the drawing hasn’t been blended, only the very bottom part.

Although I have some color on the leaves and plant itself, I have barely begun on that part of it and have a lot more color layers to add before blending for that part begins.

Nature Drawing by Madison Woods. Background stage: Beginning the blending.
Background stage: Beginning the blending.

 

 

 

Needs More Detail

Once I finished blending the ground background, I decided I wanted to add some more form to the surroundings. So I added a christmas fern, one of ginseng’s habitat companions. Now it balances out the empty woods surrounding the main object.

Looking at it from Different Perspectives

When I scan each step, I’m doing more than just recording a step in the process.

When I look at the picture in another format, like on the computer or the small screen of my phone, I can see things I didn’t see in the original.

The first image I posted showed me that the background was too empty.

The next one showed me where I have spaces that are too light or need *something*.

"Ginseng in October", a nature drawing in progress. Ground floor background blended.
Ground floor background blended.

At the base of the fern and on the lower levels of the background above the floor, it needs to be darker and I’d like some vague suggestions of more fern to the left.

Here it is again, with the background blended, after I added darker lower levels and a bent fern frond to the left.

Background finished. "Ginseng in October" nature drawing in progress.
Background finished. “Ginseng in October” nature drawing in progress.

Foreground Next

The next step will be the dried leaves at the bottom. Those two dead leaves are the foreground. Once I get those done, I’ll start working on the ginseng plant.

Halfway There

Here it is again with the dead leaves done, and the background finished. I’ve just begun working on the ginseng now.

Ginseng in October, in progress

I really like drawing autumn and winter leaves. Here’s the dead leaves, closer:

Zoomed in on the dead leaves.

Signing off for today. So far, this has been several days of work. Today was the first day I spent the entire day on it, though.

Tomorrow I should be able to get this wrapped up and I’ll post the finished scan …

And here’s the finished drawing:

Ginseng in October by Madison Woods. Prints available.

The first drawing

I didn’t know about blending at all yet when I drew this first one. But that really didn’t matter at the time to me, because I drew it in situ, and it was only meant to be a journal entry. It was late in the afternoon and dark in the woods, and finding the plant to begin with was unexpected.

ginseng in october
Ginseng in October, the nature journal entry

I’m glad I have it now to go by, since I didn’t get any photos of the plant that year. Now I can’t find the same plant at all.

The Blending Process

The blending takes a long time. It’s tedious and it makes my arm and eyes hurt if I don’t take plenty breaks. So just finishing the background alone could take several days of steady work at blending.

I’m not sure if there’s an easier way to do this step or not. I saw on one tutorial video that the artist used mineral spirits. Well, I tried that and it didn’t blend very well at all. Perhaps we used different brands of pencils.

The Tools

I use Prismacolor. The only set I have right now is the Premier Soft Core and a colorless blending pencil. I need a set of the VeriThin, but that will have to wait until after the taxes get paid for this year.

The paper I’m using is a water-color paper for Epson printers. It comes in very large sheets that I have to cut down to size. Our printer does fine work for smaller art prints, like those I use on my note cards. And this is archival quality acid free paper. However, for larger than 5 x 7 prints, and especially those I sell as “art”,  I use Scott’s Frame and Art (Scott Imaging)  in Fayetteville.

Stay Tuned

I’ll post updates to the work as I make progress. Let me know if you have any tips!

ETA is the end of the week because there’s a deadline involved for the contest I want to enter.

If you’d like a print, stop in and see me at the Downtown Rogers Farmer’s Market on Saturdays, now open year-round!

Here’s their FB page and ours:



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Custom Drawing – “Slug on Poison Ivy”

This is a custom drawing of a slug on poison ivy. In this post I’ll show you the process I use for drawing a picture with Prismacolor pencils. This particular nature drawing is for a business card client.

First, the Slug

I needed to do the slug first because it would have been very hard to leave the exact space for it had I done the leaves first.

Custom drawing for business card client

Leaf Shading in Progress

Leaf shading in progress on custom drawing.

I always add the lightest highlights first with a white pencil, and after the initial outline is done. There’s no way to put them in there once the darker colors are in place.

After the highlights I’ll add light shading with the predominant color. Then add the shadows and darker accents, like the spots on the leaf, the chewed part of the broken leaf, and the darker parts where the stems meet.

Leaf Shading Almost Finished

I just need to add some more of the lighter green highlights that are on the upper leaf. Then the blending will commence.

Leaf shading finished.

Shading

You can see the difference that blending makes. I didn’t know about this when I first started with the pencils, but it makes a huge difference. I use a colorless blending pencil from Prismacolor to do it. I might work on this leaf a little more.

Not yet blended.
Not yet blended
Blended.
Blended.

Finished!

Slug on Poison Ivy
Slug on Poison Ivy

Materials Used

I use Prismacolor Premier Pencils. For this sketch the colors I used were:

  • PC 946 Dark Brown
  • PC1100 China Blue
  • PC 910 True Green
  • PC 1056 Warm Grey
  • PC 938 White
  • PC 989 Chartreuse
  • PC 1020 Celadon Green
  • PC 940 Sand
  • PC 988 Marine Green
  • PC 1090 Kelp Green (predominant green)
  • PC 1082 Chocolate
  • Prismacolor Colorless Blending pencil

The paper is “pura velvet” fine art paper from Breathing Color. This paper works well for the original drawing and for printing.

Unique, Custom Drawing

Artist for Hire

If you’re interested in having me create a custom drawing for your business cards (or for any other purpose), contact me at [email protected].

My rates are $50/hr.

I can draw almost anything with a photo, but the best drawings to use for things like business cards or logos are of an individual item, so keep that in mind.

A sketch such as the slug in this post takes me approximately 4 – 6 hours, but I don’t work on it non-stop so the finished project will take a few days.

The original drawing is on 8.5″ x 11″ fine art rag paper and will be signed, matted and framed when complete. I keep this for shows and to use in various other designs, but I’ll never use it for anyone else’s business card image, or for whatever other purpose the drawing was commissioned for.

Prints will be available to the general public. If you want to have exclusive rights to use the drawing in any form for any purpose, ask me about exclusive rights licensing when the work is commissioned. These rights are no longer available once I’ve created other items from the drawing.

Client receives the first signed & numbered print at no added cost with nonexclusive rights.

 



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Valentine’s Day Gift from Wild Ozark

Valentine's Day Gift: The Autumn 2015 collection of Wild Ozark Nature Journal is FREE all week Monday Nov 16 through Friday Nov 20Art is how I express my relationship with nature, whether it’s sketching, writing, or photography.

As a special Valentine’s Day gift to you, my collection of journal entries with nature sketches from Autumn 2015 is FREE at Amazon today through the 16th.

If you have a color e-reader or the Kindle for PC app on your computer or iPad/Galaxy pad, it will display beautifully. It works on smart phones, but the text is too small to read without magnifying it.

You can pick it up here: Nature Journal at Amazon

 



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Delve Deeper to Observe Nature

Take a moment from your day and delve deeper to observe nature. You’ll gain a sense of awe and wonder.

Delve deeper

Truly experience that moment. If it’s a plant you’re observing, reach out and touch it (be reasonable – don’t touch poison ivy). Notice the texture of the leaf. Is it smooth or rough? Are there hairs on it making it soft or bristly? Look at the veins in that leaf. Do they run parallel down the whole leaf or do they branch and fork?

lobelia nature sketch

I would never have noticed the hairs on the stem of this lobelia had I not taken the time to observe every part of it.

Listen to it. Yes, there are sounds associated with plants. I recorded the wind through these acacia trees when I visited Abu Dhabi recently. It’s a sound I’ll never forget and could have easily been overlooked. Aside from the sound of the seed pods rattling, you’ll hear the wind and doves too.

In nature, everything is multi-layered.

What about the colors and smells. Some things seem fairly uniform in color. Then as I’m preparing to capture it in a sketch, I notice how many different shades of green are on one leaf that at first looked like a simple solid color.

Observe nature and notice the many colors in something that seems one color at first, like the leaves of this ground cherry plant in flower and fruit

On the day I made that sketch, I was in a bit of a rush. I didn’t want to attempt something that would take more than a few minutes. So I saw that plant and thought it looked easy enough, all a fairly uniform shade of green. And then I began the sketch and the game changed. I began to see the details that at first went unnoticed.

Same thing happened with this sycamore leaf. One leaf. A simple subject.

colored pencil sketch of a sycamore leaf in fall

Wasn’t so simple after all once I noticed the many little veins and the multitude of colors.

I pay closer attention to all things when I observe nature, not just plants. Similar details abound in every aspect involving every element of nature. This sort of mindfulness offers great opportunity to celebrate and appreciate variety in all of life.

 

A Valentine Gift

These drawings are from my Autumn 2015 Wild Ozark Nature Journal. It’s free for Kindle Feb 14-16. These colorful journal entries are gorgeous when viewed on color e-readers but the text is going to disappoint on phones because the screen is too small. Here’s the link where you can get it. Please leave a review and tell me what you thought of it.



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Nature Workshop with Madison Woods

nature workshop flierWhat happens at a nature workshop?

My nature workshop is designed to help you reconnect to nature and express your experience through art, writing, and photography. It can be tailored for whatever environment is available (even cities have nature), but generally we’ll take a nature walk, look at plants and wildlife, listen to the sounds of a forest (or whatever nature exists in the area), and sit in meditation outdoors when time and weather allows.

If the slant is on writing:

We learn about the history of nature writing, examine the various ways the genre is represented (poetry, prose, photo essay), take a nature walk, capture the essence of an experience with nature by writing a “flash” scene of 100-200 words (or sketch), share & discuss.

If the slant is on sketching:

We study the work of other nature writers, examine the different styles of capturing nature on paper and discuss the various ways it can be shared if that is desired (I publish mine online and as books). Then we take a nature walk and if weather permits, do some sketching in situ. If weather isn’t cooperative, we’ll either make the nature walk quickly and collect subjects with photography or bring small objects back to the conference room to draw while inside. I usually take photos no matter what so I can finish sketches later if I don’t have time in situ. And if we draw while inside, I’ll put the photo on the projector screen so we can all work on the same item, or if the participants have gathered their own items of interest, they’ll work on them individually. At the end, we share and discuss.

For a combination workshop we’ll sketch, photograph, and write and share.


 

The Park County Library System in Cody, Wyoming modeled their 2016 nature writing workshop on those presented by WildOzark


Book a Nature Journaling Workshop with madison woods

Future workshops:

June 4, at the Art Room Gallery & Workshop of the Place on the Square in Kingston, AR

Nature Journaling with Madison Woods

Past workshops:

Today (Nov. 22, 2015) at the Hobbs State Park in northwest Arkansas, the weather cooperated to give us still winds even if it was still fairly cold. But not so cold that we couldn’t take a nature walk and gather a bit of outdoor ambiance for the “captures”. Participants shared their flash captures (100-200 words or less) and gave us all insight on the various perspectives each individual wrought from the same experience.

Here’s a few of the photos from the walk and talk at Hobb’s State Park:

 

 

Hosting a Nature Writing Workshop

The workshop hosted at Hobbs state park was sponsored by The Village Writing School

If you’d like to book a similar workshop please email me at [email protected].

I can tailor it to be heavy on the writing focus or more to the sketching/journaling slant.

Bring pencils, camera, notebook if you can or want to do some hands-on writing, drawing and photography. I’ll have a few copies of the nature journals I’ve designed on hand for $10 ea, if anyone wants to buy extra ones of those. Workshop organizers may opt to supply materials. I will usually supply the art journals. My fee can be per event or charged per person and split with organizers (with a minimum guaranteed turnout). If the location is outside of northwest Arkansas there will be travel expenses.

A little about me and the reason I offer this workshop

It is said that a relationship with nature is necessary for health. On the average, people have become more disconnected over the past few decades and often don’t know where to start to reconnect to nature. I think of myself as a “liaison for nature”. A Nature Ambassador. Wild Ozark is my outlet for helping others reconnect. Words, sketches, and photography are the mediums I use and I enjoy teaching others how to enjoy my process, so they can evolve it to their own.


Book a Nature Journaling Workshop with madison woods This is a great event for companies to offer employees. Nature writing, sketching and journaling can spur creativity and help employees reconnect to nature!


 



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Wild Ozark Nature Journal on Kindle

What is a sketch / nature journal?

Sometimes nature writers like to doodle while they’re interpreting nature. My nature journal is a combination of art and written journal entry.

It is both nature sketching and nature journal.

Here are some sample pages from my first collection. All of my work can be seen at WildOzark.com/naturejournal/as I do them, for free. But if you want the whole collection on your Kindle (or other ereader with a Kindle app), you can enjoy them any time, with or without an internet connection.

The sketch in the winner's journal - Two Sweetgum leaves, by Madison Woods Wild Ozark Nature Sketch Day 23 - Wild Ginger (Asarum canadense) My nature sketching of Lobelia inflata.

Nature Sketches by Madison Woods, straight from the wild Ozarks.
  • Eighteen colored pencil nature sketches
  • Journal entries with each sketch
  • No double-tapping required
* Note: The images display best on full sized color readers. According to feedback, the book looks great on Galaxy pads, Kindle for PC’s (only Windows version 8 or better), Kindle Fire, and iPad. It is less than optimal on the Kindle PaperWhites, or the small screens of cell phones. Send a sample to your device to check display.
Dedicated to the Nature Lovers, for we are the bridges, the liaisons.

 

I’d love feedback if you download it – please leave reviews at Amazon or Goodreads to let me know how it displayed on your reader. I’ve never seen another e-book quite like it, so it’s kind of groundbreaking I think.

Wild Ozark Nature Journal: Autumn 2015

The Autumn 2015 collection of Wild Ozark Nature Journal is FREE all week Monday Nov 16 through Friday Nov 20
The Autumn 2015 collection of Wild Ozark Nature Journal

 



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


We are a participant in the Amazon Services LLC Associates Program; an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods

Nature Writing at Hobbs State Park

join us for a nature writing workshop at Hobbs State Park with Madison Woods
.

Nature is a treat for the senses but sometimes it takes effort to get past the immediate sensory input and experience a deeper relationship. Madison Woods will lead the class on a voyage of listening, looking, and feeling for connections that transport. The class will include an optional easy nature walk, a communing exercise, a discussion and practice of nature translation through words, art, and photography. – See more at :http://www.villagewritingschool.com

Join us at the Hobbs State Park for a Nature Journal Writing Workshop!

Date: Nov 22

Time: 1 pm to 4 pm

Where: Hobbs State Park, 20201 East Hwy. 12 , Rogers, AR 72756

Cost: $15

Bring pencils, camera, notebook if you can or want to do some hands-on writing, drawing and photography.  I’ll have a few copies of the nature journals I’ve designed on hand for $10 ea, if anyone wants to buy one of those.

Click here to register.

Sponsored by :

Village Writing School
Eureka Springs School of Literary Arts
479-292-3665
177 Huntsville Road
Eureka Springs, AR 72632

Autumn sunrise shining through Gloria's leaves.



About the voice behind this blog, Madison Woods

I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. Besides homesteading, growing plants & making crafty things and newsletters, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.


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Thank you for reading and/or participating in this Wild Ozark community! ~ Madison Woods