Red-shouldered hawk in handmade watercolors using Ozark pigments.

Ozark Birds of Prey : Red-shouldered Hawk

Just finished this red-shouldered hawk (Buteo lineatus).

Special Edition Prints available now.

Progression Pics: Art in Progress

I post all of the steps as I’m doing it at Instagram, so if you want to follow along in real time, follow me there or on FB. Sometimes it’s a good bit later when I get around to updating the website.

Getting Started on the Red-Shouldered Hawk

I decided for this set (I’m doing two of this species) to use the gray-green silt stone for a background. So I went ahead and did both backgrounds at the same time. Here’s the first one with the rough sketch in place.

Background and rough sketch for the first red-shouldered hawk painting.
Background and roughed-in sketch in place.

Issues with angles

There’s always something to correct once the sketch-in begins to take shape. This time it’s the tilt of his head. The angle is wrong and it throws everything else off. The eyes are the first thing I like to do, but I can’t do the eyes until the head is shaped properly.

The head on my red-shouldered hawk is wrong... wrong angles, wrong tilt.
The head is wrong… wrong angles, wrong tilt.
I 'erased' the lower half of his head by lifting the black paint.
I ‘erased’ the lower half of his head by lifting the black paint.
Now the tilt is right, and I put the eyes and beak. I will work more on this later, but this is enough for now to allow me to move on.
Now the tilt is right, and I put the eyes and beak. I will work more on this later, but this is enough for now to allow me to move on.

Colors for the Red-Shouldered Hawk

The colors I’ll be using for this hawk are similar to the colors I used on the kestrels and the goshawks. For the goshawks, I used a lot more black, though.

I made paints specifically to get ready to do this set of hawks, though, and each set of paints vary depending on the rocks I used to make it.

  • Russet sandstone (Nirvana)
  • Red sandstone (Intoxicating)
  • Yellow Sandstone
  • Char-shale (a combination of creek shale and charred wood)
  • tumbled limestone (Ancient white)
  • Brown brown (from a really hard black sandstone)

Blocking in Color

First I added the russet on his chest and wings.

Then I added contour lines to his head.

Red-shouldered hawk in progress.
Red-shouldered hawk in progress.

Added more shadow to his head, added more pigment to the background. It’s going to be a few days before I get a chance to work on it again now.

As it stands on Feb. 15, 2019
As it stands on Feb. 15, 2019

I had hoped to get both of the red-shouldered hawks done this month, but it seems that life had other plans. February always feels like such a short month, even though it’s only a few days shorter than most. I am going to have to start reducing the amount of other things I commit to if I want to have time to work more on paintings.

Update 3/11/19: Finally I’ve had time to get back to work on the red-shouldered hawk.

Update 3/19/19: Took me a while, but I’m back to work on the painting. By the end of the day, I ended up one step forward and two steps back. The tail is blocked in better, and so are the feet. But then when I started working on the wings I realized the bars are just too wide on them. So I erased most of them and will start over on that part tomorrow.

These are just the place-holders for the feet. I still have a LOT more work to do on them.
These are just the place-holders for the feet. I still have a LOT more work to do on them. But they’re in the right place, in the right proportions, and at the right angles. That’s all that matters at this point.
Progress on Red-Shouldered Hawk by the end of the day
Progress on Red-Shouldered Hawk by the end of the day. Most of the bars on the wings are erased (lifted with a clean wet brush). I’ll put them back narrower so it is more accurate.
Red-shouldered hawk painting in progress, using handmade watercolors from Ozark pigments.
Still working on it… and sometimes I do work on it upside down, lol. But this pic is upside down because I can’t get it to orient right-side-up, even after editing and saving. I’m tired. It’s late. And I’m just going to leave it like this, lol.

Ozark Birds of Prey

My current project is painting of each of the species of raptors in the Ozarks. Some of them are full-time residents and some just visit. The red-shouldered hawk is one of our resident species.

Two Screech Owls in a Tree

This morning before I left the house to go to the post office, I briefly thought about whether I should grab the camera or not. I decided to not. It had been a few days since I’d last caught even a glimpse of the screech owl that lives by the gate. So I didn’t have enough hope to bother going back inside to get the camera.

Boy, what a mistake that was.

Screech Owls

I glanced over to the holey tree where the nest was, and like I thought, she wasn’t there. But then I saw the two spots of orange on the tree right outside the home-tree.

And there I was, owls in broad daylight, with no good camera on hand. So I got this pic with my iPhone in case I never got the chance for a better one.

2 little screech owls sitting in a tree.

I debated whether or not to bother trying to go back to the house for my real camera, wondered whether or not I could reasonably expect them to still be there when I got back down to the gate. Our driveway is not short, or smooth. So I’d have to go slow. But I decided to try.

Too Late

When I got back to the gate, after getting the camera, swapping out the lens, and making the slow journey down the driveway again, they were gone. At first my heart sank. My best opportunity ever for getting a good owl pic and I’d blown it.

But there they were, on the other tree, in a tangle of vines.

Two little screech owls hiding in a tangle of vines.

A Birds of Prey Project

I’m happy to have gotten the pictures for more than just because I love owls. The main focus in my art is birds of prey. Usually I have to get permission from other photographers to use their birds as subjects, but now I have one of my own. And that makes me happy.

Screech owls are on my list of Ozark Birds of Prey to paint. I’ll do a better one of them later, but I made a quick one for my grand-daughter Karter’s birthday. When I get the better one done, I’ll add it to this page, too.

Screech owl painting (quick version).

Madison Woods is an author, artist, and Paleo Paint maker living
with her husband in northwest Arkansas far off the beaten path. She uses Ozark pigments to create her paintings.

Contact Info:
Email: [email protected]
Instagram: @wildozark
Facebook: @wildozark

Early April in the Ginseng Habitat

Every year the same flowers bloom in pretty much the same order. And although I have hundreds of images in my files, I can’t help but start heading out with the camera. The blooms start in early April in the ginseng habitat.

The first flowers that bloom are usually the toothwort (formerly of the Dentaria genus, now Cardamine concatenata). I wish they would quit changing the botanical/latin names of plants. It gets hard to keep up sometimes.

Not quite blooming yet at the time of this photo, but they’re all in full swing now as we enter the second week of April.

Bloodroot (Sanguinaria canadensis) is ordinarily the next in line to show off.

A poster of bloodroot showing the interesting features of this plant. It blooms in early April in the ginseng habitat.
This is a poster I made a few years ago to show all of the different things about bloodroot that I find interesting. The leaf shape and root color are as enthralling as the flowers.

Trout lilies (Erythronium americanum) show leaves a little while before the flowers begin to appear. It grows in large colonies, but they don’t begin blooming for sometimes five years.

Trout lilies grow in large colonies, but they don't begin blooming for sometimes five years.

Named for the mottled appearance of the basal leaf, it sort of resembles a trout under the water.

Rue anemone and False rue anemone are blooming now, too. So far this year, I’ve only found Rue anemone (Halictrum thalictroides). The false has more deeply lobed leaves.

Rue and false rue anemone are among the early bloomers in April in the ginseng habitat.

Purple (or ‘wild blue’) Phlox (Phlox divaricata) is brightening up the woodlands everywhere, not just in the ginseng habitats.

Phlox grows in many shady environments, not just in the ginseng habitats.
Not limited to the deep moist woods, but it too shows up in early April in the ginseng habitat.

Dutchmen’s Breeches (Dicentra cucullaria ) is always a challenge to photograph. The flowers and the leaves are not always on the same focal plane, so it’s hard to get them both clear at the same time. These do only grow in the rich moist soils, so is a good sign to look for in early April in the ginseng habitat.


This one was leaning over an embankment, which made the effort a little easier.

While this one isn’t a flower yet, the leaves of wild hydrangea (
Hydrangea arborescens ) are starting to open up. These plants are a frequent resident in the ginseng habitat.

Wild hydrangea starts to put on leaves early in April in the ginseng habitat.
Wild hydrangea cuttings coming up in the Wild Ozark nursery and Ginseng Habitat Demonstration Garden.

What about the ginseng?

Ginseng usually begins to unfurl here toward the end of April. At the earliest, maybe late in the second week of April. Click here to see some posts from previous years’ unfurling watch.

Madison Woods is an author, artist, and Paleo Paint maker living
with her husband in northwest Arkansas far off the beaten path. She uses Ozark pigments to create her paintings.

Contact Info:
Email: [email protected]
Instagram: @wildozark
Facebook: @wildozark

Weekly Update & Color Experiments

It’s been a busy past few weeks for me here at Wild Ozark. Today I’m doing some color experiments with suspended solids and trying to separate out some pigment.

There’s a whole blog post over at the PaleoPaints site to explain exactly what I’m doing here, but suffice it to say that this colored water has been sitting on the counter for two days now without settling. I added alum to it and now it’s beginning to settle out.

My paint-making experiment is working so far. Trying to settle out the particles.
It’s working!!

Other color experiments

Yesterday I finished up some black paint experiments. Black – a good, deep, smooth, black – has been an elusive target of mine since I first started this whole paint making endeavor. I have high hopes that this experiment finishes out nicely too. There is a post about it at the Paleo Paints site: paleopaints.com/bone-black.

I think I’ve hit the sweet spot with black, but there’s another experiment in the making using willow char, and it’s looking promising so far, too. The willow sticks made nice ‘charcoal pencil sticks’ that could be used just like the charcoal sticks you’d buy at the art supply store. I crushed the ones I made up to make the paint, but I want to make some more to use as charcoal drawing sticks.

Charred willow sticks, another paint-making experiment underway at Wild Ozark.
charred willow sticks

Art shows, new gallery options

Over the previous weekend I went to Terra Studios to show my work and try to make a few sales. So the weeks before that were spent getting ready by making more prints, paints, and stationery. Plus I wanted to frame a few more small work originals.

The next things on my list of too-many-things-to-do include getting inventory together to bring over to the War Eagle Mill. Soon you’ll find Paleo Paints and Artwork there, too! Plus I have inventory to update at the Kingston Square Arts, and a decision to make about whether I want to also try and keep up inventory at Terra Studios.

I’m working Thursday this week at KSA instead of my usual Sunday, by the way. In case you want to make a drive out to the country to talk about rocks and paints and such 🙂

Madison Woods is an author, artist, and Paleo Paint maker living
with her husband in northwest Arkansas far off the beaten path. She uses Ozark pigments to create her paintings.

Contact Info:
Email: [email protected]
Instagram: @wildozark
Facebook: @wildozark

If the Creeks Don’t Rise… Springtime in the Ozarks

Wild Ozark will be at Terra Studios tomorrow.

But with the rain we might get overnight and in the morning, the odds are looking poor. If I can’t make it there on Saturday, then on Sunday I should be able to make it. Springtime in the Ozarks usually means more rain.

UPDATE: I made it out in time so I’ll be there today 😁

Ordinarily we do get a lot of rain in springtime. But we’ve been getting a lot more rain than ordinary since *last* spring.

Framed some Paintings

All week I’ve been getting ready for this weekend’s South x Southeast Art Tour. I’ve framed a few more paintings, with the intention to sell some original art this time.

When I framed the last one, I thought I might do something a little different. The painting is a monochrome using only the pigment from a red sandstone. I named the paint “Intoxicating”, which is also what I named the painting.

So I added a little nugget of the same kind of sandstone to the frame, so the owner can see the kind of rock I used to make the paint.

Paleo Painting with the rock used to make the paint on the frame.
I think I’ll make a point to save some of the stones from each of the paints I make so I can add more interest to the frames. Paintings using more than one color will get graced by more than one stone.

Springtime in the Ozarks

Springtime in the Ozarks means trout lilies blooming.
Springtime in the Ozarks means trout lilies blooming.

Just in case I don’t get any pictures this year of the ephemerals, because springtime in the Ozarks sometimes has a tendency to knock the blooms down before I get to take their portraits, here’s a link from previous year.

Back to my Spring Schedule

During winter months I go to the Fayetteville Farmers Market but this weekend marks the return to my spring schedule. So I’ll be at the Kingston Square Arts on most Sundays until the end of the year now.

I'm back to my spring schedule and that means Sundays at KSA!
I’m back to my spring schedule and that means Sundays at KSA! You can check my calendar to make sure I’m there or call ahead if you’re coming to paint or try out the Paleo Paints.

I will not be there during the month of May, but the gallery is open as usual on Thursdays through Sundays, 10 to 6.

Come Paint with Paleo Paints

When I’m there, I’ll have easels and paints and papers and brushes for anyone who wants to spend some time painting with my Paleo Paints without having to spend money on a whole set for yourself. The cost to come paint is $10, and that helps replace materials and pays the gallery a little for the use of space.

Paint All Day (or part)
11 a.m. to 4 p.m.
You can call ahead if you want to make sure I’m there.
(479) 665-2559

Small Doodle for Free

If you just want to see if you like the paints I have smaller scraps of paper and you’re welcome to doodle on those all you want at no charge. There are no set hours for this. We’re open from 10-6, but the only day I’m there ordinarily is Sundays. Use the number above to call ahead if you want to be sure that I’m there with the doodle supplies.

Wild Ozark Art and Paleo Paints

My corner is located at the back end of the store near the register and workroom. I have prints, stationery items made from my art, and some sets of Paleo Paints.

Aside from the Wild Ozark products, the gallery hosts other artists from the area. Greg Hall with Oddbowlz has a whole half a building full of beautiful, functional pottery. The other half is full of fine examples of art and craft workmanship of artisans within 50 miles of the tiny little town of Kingston, Arkansas.

More about Paleo Paints and Wild Ozark

If you want to see some of the paintings I’ve done with my Paleo Paints:

Here’s a few posts and pages at the blog if you want to explore more:

Earth Pigments and Watercolors

Little Pans Worth their Weight in Gold

Handmade, Wild-crafted Paleo Paints Mini Cubes

Paleo Paints Mini’s are mini cubes of watercolor paints using Ozark pigments. Each one is approximately 3/8 inch cubes. They’re wild-crafted and handmade. Smaller than a standard half-pan but far larger than a sample dot, these are perfect for creating watercolor travel sets.

The Colors

The mini cubes come in all of the colors I make. They are sold as singles or in sets. You can check to see what is available by going to my Etsy shop. When I have them available in the Wild Ozark online shop I’ll add a link here for that, too. Right now they’re only at Etsy, Kingston Square Arts in Kingston, Arkansas, and wherever the Wild Ozark booth is while doing a show.

My schedule is linked here, if you’d like to catch up with me in person to try them out before you buy.

Here are some of the colors:

  1. Cromwell’s Sunrise
  2. Pink Tequila
  3. Light Intox
  4. Earthy Delight

More to come!

Paleo Paint Mini's in wood-fired ceramic trays. (tray color varies due to the firing method)
Paleo Paint Mini’s in wood-fired ceramic trays. (tray color varies due to the firing method) The wet set is my own personal ones, so obviously, those aren’t for sale. But if you come by Kingston Square Arts on any Sunday that I’m there, you can try them out. It’s on the square in Kingston, Arkansas. We’re open on Thurs-Sunday, 10-6.

How to Use the Mini Cubes

As for how to use this sort of watercolor paint, it’s just like any other solid watercolor paint.

  1. Wet your brush
  2. Wet the paint
  3. Paint

Each color is slightly different from the other in characteristics. So you’ll learn more about how each one behaves as you use it. For example, it takes the black a lot longer to wet than the others. It’s easy enough to get a gray color, but to get a really dark black point, you’ll need to work a small spot for a while. To draw out really fine black lines, once there is good saturation on my brush, I’ll just barely touch the tip of the brush in water before applying it to the paper.

Some of the colors, like the red heavies, stain the paper and so can’t be lifted as well. Others, like the black, yellow, and gray-green are very easy to lift or move around.

In general, the heavies are more granular and the fines are smoother and more pigment rich.

Ways to Use Mini Cubes

As for how to store and use them, I have a couple of ways I prefer. For travel ease, I will glue the mini down inside a 2″ x 2″ tin. These tins are free with any order of 5 or more mini cubes. You’ll have to glue them in place, or you can leave them loose. I taped my swatch cards in a booklet fashion underneath the tin.

A little tin holding Paleo Paints Mini Cubes.

This other way is decorative and creative. Not so easy to carry around, but aesthetically appealing for desktop or studio use, are my Mini Cubes Driftwood Palettes. These aren’t available yet to purchase, but I should have some ready in a few months. But you can make your own driftwood palettes, if you want. Look how pretty they are:

A gnarly piece of driftwood is my favorite way to use the mini cubes!

How to store these little cubes

When you’re done painting, let the mini cubes dry out before putting down the lid if they’re in a closed container. For open containers, like on the driftwood, I don’t do anything special to them.

Where to Buy?

You’ll find them listed at Etsy, or if you’re local, they’ll be stocked at Kingston Square Arts in Kingston Arkansas. Here’s their website so you can call ahead if you don’t want to make the drive without knowing if any paints are in stock.

Nothing Much

I haven’t blogged regularly in a long time. It is so much more labor intensive to do a “good” blog post that I just haven’t had the spare time to do it.

But I miss the more journal-y kind of blogging I used to do. Maybe you do too. At any rate, here’s one of those posts, about what I did today. A ‘good post’ requires topic headings and some sort of focus. Haha. This is a rambler that won’t do well in the Google sphere, I’m sure. But it doesn’t need to.

The day’s schedule got thrown up in the air when I set up the coffee pot last night for this morning’s brew. That’s when I realized that I’d bought decaffeinated coffee the last time I went grocery shopping. Most of the time I use our home-roasted beans, but for the past several months I’ve been busy and the weather has been unpleasant, so I’ve been buying already roasted grounds.

So this morning, after I drank a few cups of the half-and-half coffee (I still had a little bit in the bag of real coffee, so dusted as much of that out as I could), I roasted fresh coffee. What’s the point of drinking coffee with no caffeine? Besides, I have an order to fill for a spring pound of fresh roast, so in effect, I killed two birds with one stone.

Before roasting the beans there were other things that needed doing. I had an Etsy sale of one of the paint sets overnight, so I boxed that up and got it ready to go. Yay! First time to Australia! And then someone emailed to express interest in buying my Fox No. 1 painting that’s hanging over at the Faulkner Center for Performing Arts in Fayetteville, so I made a reply to that. I tried real hard to sound professional and not all overly excited about it. I think I did alright.

I know I did a lot more things this morning, but now, just because I’m trying to figure out how it got to be 4 p.m. already, I can’t think of much. Oh, yes.

After roasting the coffee I went to the post office to bring the packages that needed to go out in the mail, then I went on to Huntsville to get a few groceries and some horse feed. The round trip took about three hours. I have a post from a few summers ago about how long it takes me to get to town and back, and why. But this time I just went straight there and straight back, without all the usual rodaying I normally might have done.

That word, rodaying, is not the way it is spelled, but that’s how it sounds. The root verb is Cajun French: Rôder, and it means to wander around… my preferred way of getting places 😁

On the way back in through the gate the cute little screech owl was sitting in her tree-hole again. This time she had her eyes wide open, watching me. But of course I didn’t have the camera capable of getting a good picture of her. I am calling it a ‘her’ and have no idea if that’s the case, but I think I can see a nest in the hole when she’s not blocking the view.

Now I’m getting ready to start up the tractor and move a bale of hay over to the horses. We don’t have a hay spike so I use a chain on some hooks Rob welded onto the loader bucket. I wrote a post about that a few years ago.

How did your day go? Does it tend to slip away and leave you wondering what you did the whole time?

8N Ford Tractor under the sunbeams.
Not the tractor I used, but I just love this old one so it’s the photo of the day for this post 🙂
The tour route for South x Southeast Art Tour 2019

South x Southeast Art Studio Tour

I’m thrilled and honored to be included as a vendor/artist for this art tour event. The Wild Ozark booth will be set up in the Education building at Terra Studios on March 30-31.

 

Print this flyer so you’ll know where all of the locations are. Here’s a link to an easy print 🙂 PRINT FLYER

Here’s the Facebook event page if you’d like to keep up with posts about this event. You can also learn more about the various participating artists here too.

A Falconry Story

I read Simone’s falconry story over in the Lady Hawker’s group at Facebook. While I’ve never owned a raptor of any sort, I could relate to the chasing down of a bird. Parakeets and cockatiels like to go on ‘walkabouts’ too and I’ve kept a few of those in my earlier years. She gave me permission to repost it here and I hope you find it as funny as I did. If you’ve ever chased down a bird on the loose, I have a feeling you will.

Simone and Henry of the falconry story. Simone and Henry

The Epic Story of Henry’s Walkabout in Seattle:

 

One afternoon in September I was coming home from the San Juan Islands with a friend and had all of my animals with me. As I was unloading my truck it was getting hot and I had Henry (gyr x merlin) in the back and he was panting a bit. He overheats quickly being part gyrfalcon. I couldn’t find my glove so just picked him up on my bare hand (I do that sometimes, he’s so tame. BAD IDEA.) and walked him to the front house door. I don’t know what happened next exactly as I would never let go of the jesses on purpose of course but he bated and slipped through my hands. Fat, zero telemetry, hadn’t flown the lure in two months and it was 91 degrees out. He landed on the awning of the porch and looked pleased with himself. “Ok, ok no big deal,” I told myself as I reached for the jesses. I was within a centimeter when he launched off the roof and disappeared behind the big trees (the trees in our neighborhood are easily 100ft tall) in our backyard and my heart SUNK. I yelled at my brother that I needed help…he was prostrate on the couch with no shirt and no shoes but ran out in that condition…bad mistake as little did he know he would be in that state for the next four hours in 90+ weather.

I proceeded to catch sight of Henry here and there (but lost sight of him many, many times for up to 20-30 minutes each time) as I ran around the neighborhood with my brother (and my mom and dad at times, my brother was on the verge of heat stroke as he had just run a half marathon and didn’t bring enough water, my mom had to rescue him on a park bench..yes, he’s an adult…24 but go figure) in the heat….My mom and dad would take shifts bringing us water or help look for Henry or keep an eye on him if his location had been confirmed. Keep in mind I live in a residential area and the people on *our* block know our house as “The Nut House” and that at any given moment there may be hawks, falcons, owls, crows, ravens, ducks, chickens, dogs, cats, or strange people. But go two blocks away and you become the stranger with giant crazy curly hair holding a fishing pole that has a dead quail attached to the end. I’m swinging the lure in the middle of the road at one point yelling “HENRY!!!!” when a front door opens and a woman yells at me: “What are you looking for?! A falcon?!” ….. “Um, yes”, I say (is she for real?) and she says, “Oh, haha, I was kidding.” Not funny lady.. maybe it was the lure, maybe she just had a lucky guess. I told her what he looked like (yeah right) and where I lived and ran off. I’m sure she thought I was crazy. Anyway, Henry had disappeared now..

And at this point my brother and I completely lost sight of Henry. The trees were too huge to get a good line of sight all around and it was easy for him to fly out of one side of a group of trees without us seeing him. I ran through neighbors backyards, knocked on doors, all the while swinging Henry’s lure, which conveniently happens to be attached to a freakin’ 12′ pole. Nothing. No crows alarm calling, no robins alarm calling. No one had seen him. I was sure he was gone. The house is on a high hill with a valley below and surely the valley and air currents were too much for a curious little falcon. But then I heard Steller’s Jays alarm calling a block away. My brother and I run as fast as we can, find the jays and eventually decide they are not talking about Henry. I’m at my wits end by this point… I trudged home kicking myself for possibly taking the wrong lead and trying to think of what to do next, though nothing seems like an option. A 300 gram falcon with no telemetry who is fat as can be in 90F heat in a neighborhood on a hill with heavy tree cover all around. ALL the odds are against me I felt like. I near the house, which looks out over the small valley (the road starts to go downhill just four houses east of my house) and there, buzzing above the slope of the hill, across a busy street, is HENRY. I take off, narrowly avoiding traffic on the busy street and try desperately to catch up with him.

I catch up with him and although he isn’t flying away, multiple times he flew around me and half-heartedly came in to the lure but never touched it or landed. He landed quite a few times in the tall trees and just looked at me. He would dive bomb my head, buzz over me, disappear and reappear multiple times. He even came out of nowhere once when I yelled his name and wasn’t even swinging the lure. It was an emotional roller coaster! Again keep in mind that by this point Henry has probably moved 20 times and each time it’s a MAD DASH to keep up with him. There are so many trees and houses in the way. When he would take off my dad would go one way, my brother and mom another and I would start swinging the lure yelling his name. There is absolutely *zero percent chance* we didn’t look crazy. How did four people escape from the looney bin in one day?

At this point it was obvious he wasn’t too into the lure so my mom called Wendy (bless her soul a million times) who was at work quite a ways south of our house. She drove from her work, north of our house to get pigeons at another friend’s house and then back south to my neighborhood with two live pigeons. Granted this is all in horrible RUSH HOUR SEATTLE evening traffic. Did I mention bless her soul a million times?!

Henry had been sitting on a certain cedar tree for about 10 minutes at this point when Wendy pulled up. My brother had my Jack Russell x Beagle Otis because Henry is somewhat imprinted on Otis (a story for another time) and will often try to steal the lure or food from him so I was trying everything at this point. Anyway, Wendy whips around the traffic circle, tosses me a live pigeon on a line without slowing down and I toss it out under Henry. He comes into it immediately but won’t commit, almost lands on a transformer, then goes by it multiple times but still won’t commit. Otis loses his mind seeing this happen and slips his collar and runs across the street, into traffic, almost gets hit by two cars (seriously, centimeters away), my brother and I are screaming at the top of our lungs for Otis to stop but he makes it to the other side safely. Now I have my dad call all the pet shops in the area to ask for finches as the pigeons are apparently a bit big for Henry. Our friend Ron has been called who works at a bird shop but they are closed and also have no finches. My dad is on the phone down the block, my brother is on the corner as a lookout in case Henry flies that way and out of sight, Wendy is on the street with two live pigeons flapping and I am in some stranger’s front yard swinging a lure with a nasty, dead, in the heat for four hours quail with hornets buzzing all around when a hornet flies up my shirt. I scream and dance up and down (I have bad reactions to hornet stings) and whip my shirt off, Wendy is yelling “WHAT ARE YOU DOING?!?!?!?!” and howling at me like I’ve gone crazy but I don’t even realize how utterly insane I must look..shirt back on and Henry now is pretty much ignoring us (how???!!). Hour four of this ordeal arrives and I am at my wit’s end. My dad has driven to Petco at this point to pick up parakeets (absolutely awful, I know but we were going to put them in a BC and hope for no death to parakeets) and Henry has flown up higher in the tree with his back to us. He is utterly and completely ignoring us. There’s now a dead and bloody pigeon on a line in front of some random person’s house and I’m still on another person’s front lawn swinging the lure, contemplating how I might climb their roof even if they aren’t home to give permission. Thirty minutes before sunset. I literally feel like crawling into a black hole and dying and with everything that has just gone on (I had just lost my beloved aunt, who I was very, very close with, to breast cancer and she loved Henry) I can’t imagine losing my little buddy to such a stupid mistake. In one last ditch effort I wiggle and throw and toss the lure and dead quail around on the sidewalk across the street from Henry. He turns around, leaves the tree and flies directly to the dead quail, lands on the ground next to it, hops on it, I crawl slowly, shaking, on my knees and pick the little turd up.

 

I learned a few things that evening after getting Henry back: family and friends are priceless, persistence pays off, Petco will take parakeets back, your friends, after hearing the story, will tell you they just saw you on YouTube topless swinging a lure…”the neighbor’s must have been filming with their smart phones after all” (don’t believe them) and my brother’s “half marathon?” Yeah… he wasn’t part of a marathon. He just ran a bunch of miles by himself with no water and called it a marathon. He didn’t realize his “half marathon” was just the warm up.

I slept like a bag of rocks that night.

 

Simone Lupson-Cook

My Artist’s Business Plan for Wild Ozark 2019

So, this isn’t a ‘formal’ business plan, but more of an outline of my goals, plans, and strategy for the year regarding my art. To see the outline of intended subjects for the paintings, take a look at my Ozark Birds of Prey page. It’ll give you an idea of the focus and scope of the project.

And just so you know, I *am* still writing on my novel, too. I just don’t have a plan for the writing business… I just keep adding words and I’m doing that on a nearly, but not quite daily basis. There’s a note posted on the shelf in front of my computer to remind me to at least write ONE sentence every day.

My Artist's Business Plan: Paintings by Madison Woods of the Ozark birds of prey as of Feb. 1, 2019.

Paintings: the focus of my Artist’s Business Plan

Producing new paintings monthly is the primary goal this year.

My focus for the works planned for this year, which will likely stretch into the foreseen future, is to complete a few series of Birds of Prey. Specifically, I am interested in painting the ones found here in the Ozarks. We have a lot of resident raptors and several that visit us only during winter or summer. But where we live represents only a small part of the Ozarks. Since the Ozarks spans more than just Arkansas, it includes a few species less common to my immediate area. The states included are Arkansas, Missouri, and far eastern Oklahoma.

Here’s a link to the birds on my list, and that list has links to the paintings of the ones I’ve done so far. I’ve only begun to get started and it looks like I have my life’s work cut out for me with only this narrow focus!

Paints

Before I make a painting, I make the paint if I don’t already have some on hand. When I do that, I put the excess into decorative containers to sell at the Fayetteville Farmers Market and on Etsy. I’ll continue to do this, but my main focus is on making the paintings, not necessarily selling the paint. I am only going to do the farmer’s market during the indoor winter market months. Once it moves outdoors (in April), I’ll focus more on Etsy and Downtown Roger’s Art on the Bricks, and contests/exhibits.

Selling my handmade watercolors is part of my Artist's Business Plan for 2019.

Prints

I’ll definitely keep making prints of my art. These sell quite well at the market and on Etsy I’ve sold a few. Anywhere I can make some money (while staying focused on the art) to keep funding the art is on my list of things to do, ha.

Stationery

I am loving my stationery sets and stickers and have been using them to send letters to friends and family. These haven’t caught on much yet (well the stickers sell, but they’re a very low-dollar item) at the markets, but I hope they will. If they haven’t by the end of the year, I’ll probably drop this from my list of products and just focus more on the original paintings.

The Strategy and Artist’s Business Plan

My production rate of new paintings has been averaging about one per month. I want to keep that pace and perhaps squeeze out two on some months. Once I have paintings, then I will enter them into exhibits, contests and shows. The paintings may or may not be listed ‘for sale’ during the exhibits or contests. It depends on whether it’s part of a completed series or one still in progress. Getting into exhibits helps to build my CV and gain exposure to more people.

The ‘getting into’ exhibits isn’t necessarily a straight-forward thing, nor is it free. Each entry has a fee associated with it, normally $35-$50. And just because the fee is paid, it doesn’t mean my entry will be accepted. So this is one of the expenses in an artist business, and the selling of other things helps me to afford those fees.

Not only that, if it’s a show, then there’s usually a booth fee if the art is accepted. If it’s an exhibit and not local, then there’s shipping costs associated with getting the art to the exhibit. And then home to me once it’s over.

At least the rocks I use to make the paint is free! However, the paper I prefer to paint on is not. It’s quite pricey, in fact. So there’s another expense. I’ve been very discouraged by how expensive it is to get a work of art framed properly for shows/exhibits. That’s a major expense I’ll need to plan for, because the painting can’t be displayed in shows, contests, or exhibits without framing.

Keeping Track of Expenses

This year I’ll do a better job of tracking expenses and income directly related to the art. I’m curious to see how that turns out. In general, it’s fairly difficult to make a living as a painter. There’s a reason for the phrase ‘starving artist’. I’m planning to buck that stereotype this year, though. The derivatives, like the paints, stationery, stickers, and prints are where I expect to make the income to fund the paintings. Perhaps if I’d finish my books, I could rely on a little income from that too… but it seems that ‘starving writer’ might be a pretty accurate phrase, too. But thank goodness I’m not relying on my art and writing for my everyday expenses! And when Rob gets to working in his workshop again, we’ll have woodworking to add to our inventory of things to sell.

 

Watercolor painting, Ozark pigments by Madison Woods

Goshawk no. 2 – The Creation of “Rhapsody”

For weeks before I finally started, I’d been wanting to get started on the second northern goshawk in my series. It’s amazing how many things suddenly just absolutely have to get done when I decide to get started on a project.

Procrastination?

We have some frigid air moving in for the weekend, so I needed to put extra bedding out for the dog.

Warmth for me too

Also wanted to bring in some extra firewood so at least tomorrow’s wood is sort-of dry when I wake up. The rick of wood is fairly green and the older wood in the pile is fairly wet. LOL, I can’t win either way with that. But, at least what’s inside the house will be a little drier by morning than it was this morning when I brought it in.

Put up the water

So after taking care of the cold weather outdoor stuff, I thought I’d better fill some containers in case the water freezes. I don’t want to have to move the horses to the other field if their water bucket line freezes. Because that would mean I also will have to move hay in the frigid temperatures. I’d rather just haul the water to their bucket if that happens.

Market display

Then I remembered I’d bought some peg board to make a vertical display space for my market booth. Before I could work on that it would need to be painted. So I painted the board and left it outside to dry. Except it didn’t. It was too cold for it to dry well and even after several hours had passed it was still tacky. So I brought it in to put in a warmer spot.

Check the mail

Just before noon I remembered a letter I needed to bring down to the mailbox, so took care of that, And when I got back up to the house, figured I’d better put the car in the shop in case we really do get some of that giant hail I heard mentioned in the forecast. Well guess what? Now it’s coffee time. I completely missed lunch and so just let that go. Once I had my coffee I finished the vertical display space. Then, once that was done I did-finally-get started on my goshawk.

Yep. Procrastination.

It was all just procrastination. Though all of those things did need to be done today, I could have started the goshawk and done those things while stepping back from it. I step away from it almost every time I do anything significant to the painting.

Here’s where I stopped on it today:

Northern goshawk. The eye is not finished. It's just 'good enough' to hold the rest of the painting together while I go forward. I can't do the bird until the eye is good enough.
The eye is not finished. It’s just ‘good enough’ to hold the rest of the painting together while I go forward. I can’t do the bird until the eye is good enough.

The northern goshawk (accipiter gentilis) isn’t commonly found in the Ozarks. Sometimes one might get blown off-course during migration, though. It is one of the raptors favored by falconers and I find them to be beautiful birds of prey.

Some Changes

I did a few things differently on this painting. Each new painting is somewhat of an experiment with me, but there were some things I wanted to intentionally do differently this time.

Drawing lines

On the previous goshawk I had a really difficult time getting the angles right. So this time, on the photograph I printed out to work from, I drew lines with my ruler. These lines show me where the various parts of the bird line up in comparison to each other. I think that helped a lot.

Better paper

Another difference is that I’m painting this northern goshawk on a much higher quality paper. This time I have #300 (640 gsm) Arches paper and it is definitely a huge improvement. As it very well should be, because it was a lot more expensive. The pricey paper added to my reluctance to get started, I think. I’m afraid to ruin a sheet on a wasted effort. On the other hand, I couldn’t wait to try it out.

Finer pigments

The last difference is in the pigments I used for the background. I used some of the fine powders I’d processed and it gives a much bolder, color-drenched effect. I like it. But the particular shade I used is much more inclined to stain the paper. So the areas I need to be white later are going to be harder to produce. But that’s one of the sweet things about this paper. I can lift on it a lot more often than I could on the previous paper. Lifting is when you take color off the page with a damp brush by touching the spot and then rinse and wipe the brush-repeated until it’s white. Or in this case, white enough. I’ll never get the stain completely off. To get whiter spots on the bird later I’ll have to use some of my limestone paint.

Photographer

For this painting, I’m using a photograph of a wild northern goshawk by @javiersanzfoto (Javier Sanz at Instagram).

Progression

Here’s the progression from start to current. As I can I’ll update the photo collection to bring it up to date. If you want to see it as I post them, follow me at Instagram (@wildozark).

Let’s hope I don’t ruin the pricey sheet of paper!

Finished:

Watercolor painting, Ozark pigments by Madison Woods
Prints available.

 

Selling my handmade watercolors is part of my Artist's Business Plan for 2019.

“I make paint from rocks…” A typical encounter.

Click HERE to go directly to my online gallery. All of the work you’ll see there uses paint made from rocks.

Click HERE if you want to see Paleo Paints at Etsy. And HERE for workshops on making them.

Talking about Paint from Rocks

When people see my artwork, they usually don’t realize the colors they’re seeing is paint made from rocks. I love the surprise I invoke when I tell them that. It makes for interesting conversation with almost anyone even remotely interested in nature.

During winter months I get to talk to people at the Fayetteville Farmer’s Market. From spring through fall, I’m usually at the gallery in Kingston, and that’s where I get to talk to people. Usually they’re visitors to the area, passing through on their way to or from the Buffalo River or out to see the elk at Ponca.

To see what other venues I’ll be at this year, check out my online calendar. And Wild Ozark is always ‘open for business’ at our Etsy shop.

A Typical Encounter

People come in through the doors, walk through the aisles, sometimes browsing the various offerings. At the farmer’s markets, some of them, regulars who come for specific things, walk right past other vendors as if they don’t even exist, making a beeline for the booth that carries their (usually) gastronomical delight. Some market-goers glance at everything they pass, just to see what’s new.

At the gallery, it’s a little different because mostly all there is in there to see is art of some sort or another.

An Interested Browser!

Finally I notice a person who’s eyes linger on my artwork. Usually i don’t pounce right away. Pouncing is not my style. I let them look for a little while. After a few seconds more, I know they’re interested and I will try to strike up conversation if I’m not already involved with someone else.

“All these colors you see are Ozark colors.”

“Oh that’s nice.”  And then they’ll either step away because they’re afraid I’m going to try and sell them something, or step closer. Most become more interested. So I give more information, little bits at a time until they’re really engrossed.

“I Make Paint from Rocks”

“Literally. I make the paint from rocks right here in the Ozarks.”

Then most of the time, the interest really flares. Oh? Their eyes light up. Now this is something they’ve never heard of, and if they step in to hear more, I’ll come around and go through the show and tell of how I gather the pigment rocks, crush them and then make the paint.

My personal pans of paint from rocks. They get pretty messy with use.
My personal pans of paint from rocks. They get pretty messy with use.

I get more satisfaction out of showing and telling about the beautiful colors than I do from trying to ‘sell’ art to them. The idea that I can get paint from rocks is still so fascinating to me that I like to share it as much as possible. But when someone walks away from my booth, treasure in hand, it is also very satisfying.

Keepers

The most favorite interaction comes from meeting those I follow or who follow me via this blog or other social media. They already know I make the paint from rocks. They’ve made a special trip to see my work or to meet me. It makes my most of the time otherwise slow day when one of these market-goers shows up. Even if they only came to look and don’t buy.

Paint from Rocks: Wild Ozark Paleo Paints

I bring whatever paint sets are available with me to markets, but they’re also at Etsy. Here’s something new I’m working on. This is the prototype, called a Paleo Biscuit. What is that? It’s a palette to hold paint. I made them from recycled paper and I hope to use them to replace all the plastic pans eventually. The idea of using flat rocks themselves as palette trays is also on my list of things to try.

The wood palettes are nice, too, but those I have to hire out, whereas I can make these paper ones by myself. Another thing I especially like about them is that they’re plastic-free, use recycled materials, and the base material (paper scraps) is freely available.

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My Art

Most of my work is uploaded to Etsy when it’s ready to sell. These awesome stationary sets, all works derived from my paint made from rocks, are the most recent addition!

 

To see art works as I do them, follow me at Instagram. To see them when they’re finished, keep an eye on my Paleo Paints website. I do bring some originals with me to the market.

Original Paintings for Sale

The Twisted Tree swatches and other small originals are usually for sale, but I’m holding on to most of the birds of prey originals now. I need to build a large enough collection of them to enter into exhibits or shows. I almost always have prints of everything available at my market booths, but email me to make sure the one you want is ready, if you want to be sure of a certain painting.

Even if you’re not looking to buy anything, come out to see what incredible art and colors come from our Ozarks. I still find it fascinating, every time I make paint from rocks.

Upcoming Events and Exhibitions

I usually do a good job of keeping my online calendar updated, but here’s the highlights of the months to come.

  • Fayetteville farmer’s markets on most Saturdays
  • Feb 9- Community Craft Show, Bentonville
  • Feb – April- Fox No. 1 will be on exhibit at the Faulkner Center for Performing Arts
  • March- unsure of date- Terra Studios fair
  • last 2 weeks of March-December: Kingston Square Arts on Sundays

My Interview with Jacqueline Froelich of KUAF (91.3 FM)

I was excited to have been interviewed by Jacqueline Froelich of KUAF earlier this week. She came out on Tuesday and let me show and tell my process of making paint and art from the natural resources of the land here at Wild Ozark.

Here’s a link to the show if you’d like to listen.

Local Artist Creates Paints Using Ancient Methods

There is one miss-speak in there I’d like to mention. I didn’t intend to imply that modern synthetic colors are not light fast. Most likely all of them are. However, modern synthetic pigments have only been in use for a relatively short while, so they haven’t withstood the test of time yet. All paint manufacturers do submit their colors to testing to simulate the exposure to light and passage of time, though.

You can see all of the art I’ve made so far with the Paleo Paints at the Paleo Paints website 🙂

What I meant to do was clarify the difference between the plant pigments I’ve found that are *not* light fast as compared to the very fastness of the earth pigments (those from stone, mineral, soil, or clay).

All in all, I had a great time showing Froelich around and talking about my obsession. We’ve interviewed before on the topic of ginseng, but this was the first public exposure of this scale for my art. Let me know what you think about the interview if you get a chance to listen.

Collection No. 6, packaged and ready to ship! Uploading to Etsy on 1/11/2019. These were in progress when Jacqueline Froelich came out to Wild Ozark to do an interview.
Collection No. 6, packaged and ready to ship! Uploading to Etsy on 1/13/2019, but I’ll have these 3 sets with me at the Fayetteville Farmers market on 1/12/19.

 

Goshawk No. 1, Northern Goshawk (Accipiter gentilis)

I’ve always been fascinated with birds of prey and the sport of falconry. One of the birds commonly trained for hunting is the Northern Goshawk. Here’s my rendition of a beautiful wild goshawk photographed by Nicoli Gianluca.

Goshawk No. 1

"Goshawk No. 1", 12 x 17", handmade watercolors using Ozark pigments.
“Goshawk No. 1″, 12 x 17”, handmade watercolors using Ozark pigments.

Right now the image is at the art shop getting scanned because it’s too large a sheet to fit on my own scanner. Once I get the files, I’ll have prints, note cards, and stickers available for it at Etsy. I’ll also have them with me on Saturdays at the Fayetteville (indoor) Farmer’s Market.

Goshawks in the Ozarks

Unfortunately, the goshawk doesn’t make an appearance often here in the Ozarks. There were a few instances reported of sightings, most likely when one was off course during migration. So I’ve never seen one in real life. I found lots of photos online, but could not reach any of the photographers to get permission. I couldn’t find anyone local who had a good photograph.

But Instagram is rich with photographers, and I found Nicoli Gianluca (from Italy) who responded to my permission request. If you are a fan of falconry or bird photography, you can find him as @accipiterhook.

Favorite Subjects

The first ‘real’ painting I made was a raptor, and so were the second and third paintings. So I love painting raptors. But after the third Kestrel I decided to try a few different things to see if raptors really are my favorite, or if it’s maybe only kestrels. So I painted a crow, a pelican, and a fox. And I painted a twisted tree.

I really liked all of those subjects too, but I missed doing raptors. Now I’m working on a new series of a different raptor, the Northern Goshawk (Accipiter gentilis). I’ve never seen one. But it’s Rob’s favorite. I had thought the kestrel was his favorite, but he’s since said it was a goshawk. So either he has favorite birds like I have favorite colors (can’t pick just one, lol), or he changed his mind.

At any rate, I began the first goshawk during the last weeks of 2018. It presented new challenges. Not only is it a different bird in appearances, but it’s a different size. This canvas is much larger than my previous largest thing ever painted. It’s 12″ x 18″. I had put off starting it because the size intimidated me. There’s so much more room for mistakes! Maybe that’s not true, but there’s more room to *see* the mistakes is closer to an accurate statement. It was the most difficult thing I’ve painted yet.

The Background

For this one I wanted to do something different than with the previous paintings. I like the rubbed and speckled backgrounds of the others, but I wanted *more* this time. But I didn’t know exactly what I wanted. And then, too, again being a larger canvas made me reticent to start on top of not knowing exactly where or how to start. So I decided to just paint something.

This is what I came up with.

This started out as a random painting with no image in mind. Once it began to look like something, I decided I rather liked it and decided to use this as the backdrop for my Goshawk No. 1.
A rather barren landscape in brown sandstone, with a rub and speckle before using a wet brush. I like the mist flowing into the scene.

That background started out as a random painting with no image in mind. Once it began to look like hills, I added the mist. Or rather I subtracted it. I decided I rather liked it and decided to use this as the backdrop for my Goshawk No. 1. Note added: Now that I’m nearly done with the painting, I think I’ll go back to my original type of background. I am not loving this washed out landscape much.

Sketch in location of the Goshawk

The goshawk is traced in with one of the colors that shouldn't interfere with final pic.
The goshawk is traced in with one of the colors that shouldn’t interfere with final pic.

The Eye

Before I can go any further with it now, I have to fix the eye. After the outline, the eye is the part that holds everything else up. It doesn’t have to be perfect, just good enough.

This is good enough for now. At least the shape and size is right. It'll take on more character after I get more of the surroundings done.
This is good enough for now. At least the shape and size is right. It’ll take on more character after I get more of the surroundings done.

Blocking in Color

Usually, I am adding too much black and have to take a lot of it back off. In this case, I’m finding it hard to add *enough* black. Part of that is due to the size of the canvas. It is physically a lot more paint than I’m accustomed to using. The other part is that this bird has a lot more black.

The Beak

The beak on this painting gave me LOTS of grief! I had to rework it several times until I was happy enough to leave it alone. During the effort of getting the beak right, I found that I hate this paper I’m using. It didn’t hold up well to lifting the color repeatedly and repainting, so I ordered some heavyweight paper from Arches to try. I’ve heard it’s the best. We’ll see if it holds up to my technique, lol.

Erased the goshawk beak and re-did more than once to get it right.
Erased the goshawk beak and re-did more than once to get it right.

Palette

Black- from wood char made here at Wild Ozark

Brown- from sandstone found here

Yellow- from sandstone found here

Yellow- from sassafras leaves

Gray- from shale found here

Greenish- from a sandstone found here (only found one of these so far)

The Goshawk Progress Pictures

The progression of Goshawk No. 1 from start to finish.
The progression of Goshawk No. 1 from start to finish. Shows all the ugly stages in between 🙂

 

 

 

These are large acorn caps. Burr oak and other oak acorns.

New Products Lineup for Wild Ozark 2019

Lots of new Paleo Paint products in the lineup for Wild Ozark 2019! Look for new handmade watercolors, new packaging (less plastic!) and more paintings.

Since I started making the paint in June of last year, I’ve experimented a lot. And I’ve learned a lot. The same goes for the paintings using handmade watercolors.

As I’ve never painted with anything except these paints I make, I have little to draw on from experience compared with store-bought versions.

However, in my work-play, I’ve come up with a few more techniques for using and making the paint. And I’ve found some better ways to package the paints and make them easier or more fun to use.

Plastic Reduction

The usual thing nowadays used to hold paint are little plastic pans. I’ve gone through literally hundreds of pans since I started making paint. When it’s paint for myself, I wash and reuse them. As I’m developing new products for the upcoming year, I’d prefer to use less plastic.

Originally, artists used whatever was handy to their region. Those who lived near bodies of water typically used seashells. If they purchased paint, it came in seashells, I’d assume. However most of the artists of old made their own paint.

While I don’t have seashells handy, I do have acorns with convenient little caps. And we have a lot of wood scraps when Rob is in the workshop making his art. Nature abounds with all sorts of ‘holders’, so I’ll keep my eyes open for other natural items that will work.

Paint delivery with no or little plastics.
Paint delivery with no or little plastics.

For the acorn cup holders, I still need to use the hot glue to attach them to the base. So not completely plastic-free, but much closer.

New Products in 2019

More Colors

While my main focus for new products will remain on local colors, the Soul of the Ozark series, I would like to start experimenting with minerals from other places. Whenever I travel, I’ll collect the soil, rocks, or clay of that place and make collections called “Soul of That Place”.

I’ve learned to make an incredible blue out of lapis lazuli, but that rock is expensive and in short supply here in my possession, so it most likely won’t ever be one of my new products to sell. However, there are other rocks native to the United States that will make blue. Same goes for green. So these won’t be included in a Soul collection unless it is native to the region I’ve collected, but I’d like to have those colors on hand.

Another thing I learned to do, and now consider standard practice when I have a large enough source, is to refine the colors. The whole rock gives a certain shade. But if you separate the fractions of the rock using water, other shades are possible. Some of the shades can be quite vivid, like this Russet from the fines of the rock I used originally to make my Nirvana color.

More Art

I’ve entered the only two originals I have left into a show for the Artists of Northwest Arkansas. Which means in order to enter any other shows, I’ll need more originals. Right now I’m working on a goshawk and hopefully it will turn out well enough to compete. Before I can finish the painting, though, I have to make the colors I need.

The next exhibit I’d like to apply to is at the Springfield Museum of Art. I need to have this goshawk done by February for that.

My little twisted tree swatches have been popular items at the market, so I will make more of those and add them to the new product line as they become available. They’re small and affordable for people who want to own original art rather than prints. And they look just as nice framed as any larger sized painting would.

Paleo Duos

Whimsical, yet practical. At the moment, I only have enough of the large acorn cups to make 4 sets. If these prove to be a popular way to deliver my handmade watercolors, I’ll find more of them!

Each acorn cup holds more paint than a standard full pan. If all I can find are smaller acorns, then I’ll add more cups and call them Trios or Quads.

The bones of a new product. This is what will become Paleo Duo sets. Look for these to appear at Etsy and at the market booth by the end of January.
The bones of what will become Paleo Duo sets.

Wooden Palettes

These wooden blocks are awesome, and contain no plastics at all. When I finish the paints in one of mine, I’ll try washing and re-using it, too. My son Garrison has been working with me on this design. He’s doing all the work of making them and I’m filling them with paint and offering feedback. The one below is a working prototype.

Not one of the new products, but a new way to package the products. No plastic!
Not one of the new products, but a new way to package the products. No plastic!

Paleo Go

This is a portable set based on the concept of ‘whiskey paintings’. It features small acorn cups with magnets so they can be swapped out for different colors. Will come with the first set of colors, a miniature paint brush, shot glass for water, and the wooden plaque. I have been using this prototype as often as I can so I can make modifications as needed. Once I have all the bugs worked out and beautify the presentation of it more, it’ll be one of the new products at the market too. Look for this mid- to late 2019. Maybe earlier if I’m lucky with the first round of modifications.

Paleo Go prototype in use for one of my twisted tree paintings.
Paleo Go prototype in use for one of my twisted tree paintings.

Where to Find Wild Ozark?

Look for me on Saturdays at the Fayetteville (indoor) Farmers Market until March. I won’t be there the first weekend in January, though. You can find out when and where I’ll be by checking my calendar here.

I’ll be at the Community Craft Show in Bentonville on February 9.

My Etsy shop is at Etsy.com/shop/wildozark and it’s open all the time!

Got Acorns?

If you have any burr oak acorn caps, I would be happy to buy some from you! Ditto the other large caps. I have lots of medium and small acorns, just need more of the large ones. Email me if you’d like to donate or sell to the cause: [email protected]

Have a wonderful, prosperous, and exciting 2019!

Today it's 108*F and feels like 118*F. I'm standing in the shade of a date palm here.

Year in Review- Wild Ozark 2018

Every year I like to make a review of the year at Wild Ozark. I didn’t think I’d get time to do it this year, but today I managed to carve out the space to get it done. At first I thought this one post might include the goals and aspirations I have for 2019, but it’s turned out to be long enough with just the 2018 Wild Ozark Year in Review. The next post will be about the 2019 outlook.

2018 Wild Ozark Review

January started out with the loss of one of our homestead dogs, Bobbie Sue. The remaining dog, Badger is just now seeming to overcome the grief of losing his companion. I didn’t post much in January, but shared a few product reviews and began a soon-to-falter series of posts on homesteading hacks.

Rob and I did some exploring of the bluffs on our property in February.

I posted some photos to RedBubble. This one was my favorite. It made really cool looking tote bags and tee-shirts.

Comanche's Lovely Eyes are on products at RedBubble.
Comanche’s Lovely Eyes

I turned in an article with accompanying art based on one of my old blogs post about a woodland habitat full of green dragons. That would be published later in the summer by North American Native Plant Society.

Changes on the Horizon

Already I had begun feeling the tremors that would eventually lead to a complete transformation of what it is I do here at Wild Ozark, as a business. I was feeling the need to take some of the irons out of my fire already and early in the year. In March, Rob built the beautiful wooden corner shelves for the market booth and I began getting ready to start the season on Easter weekend, for the first time in Fayetteville at the downtown farmer’s market.

Not long after that, Rob got a job offer and all of the wheels ground to a halt as we switched into preparation mode for his departure. That took a lot longer than expected because of passport issues, but he was finally cleared to go but it would be May before he actually left. I brought the Burnt Kettle Shagbark Hickory Syrup, fairy gardens in glass globes, and Forest Folk.

New Artsy Product and Less Blogging

I also began making the little Fairy Swing Mushrooms. The syrup sold the easiest, but I also sold a lot of the fairy gardens and a few of the Forest Folk and mushrooms. We went to the Arkansas Made Arkansas Proud festival in Little Rock in April. For the entire month of May, I only managed to make two blog posts.

The first time I’d ever seen a Baltimore Oriole (bird) in real life was this year in May. After I’d seen the first one, I found some oranges in the refrigerator and sliced one up for them.

A Baltimore Oriole in the Ozarks

For the most part of 2018, I let posting to the blog slip to the side lines. It just seemed like so much more *work* than it used to be. I think it’s because I tried to include too many photographs in my posts. And also the effort of practicing good SEO (search engine optimization). The rigors of trying to make everything perfect really detracted from the pleasure of blogging. I’m going to quit worrying about that so much in the future.

Handmade Watercolor Paints, An Entirely New Obsession

At the end of June, I made my very first handmade watercolors. They weren’t even dry yet when I gathered all I had made so far with me and brought them on my trip to Doha, Qatar, where Rob was working. At this point, I hadn’t even painted anything with them yet. Surprisingly, I got through customs with my assortment of powdered rocks and sticky half-set paints.

I used earth pigments for my first paintings.
These are the colors I used for my first paintings.

It was there, on the other side of the world in a foreign landscape that I made my very first painting with my very first paints. That was a life-changing way-point. I had no idea so much color could be wrestled out of rocks. I had no idea I could even paint.

Change of Plans

I returned from my trip at the end of July to nearly desert conditions at the nursery. My little fern nursery and fairy garden mossy supplies had gotten dried out and died. In June it had rained too much, and in July it didn’t rain enough. So I dropped out of the market for the remainder of summer. Instead, I focused on making more paint and paintings.

And now that’s pretty much all I do. Go out for walks, pick up rocks, then smash them to powders to see what colors I get. It’s fun and I don’t think I’ll ever tire of the art of making art.

Wrapping up the 2018 Wild Ozark Review

That’s pretty much where the business aspect of Wild Ozark stands now. I make paint, make paintings, and then make derivatives of the paintings. Recently I got the Etsy shop up and running again and have been making some sales through that venue. I also go to the Fayetteville (indoor) Farmers Market during the winter months, but not sure if I’ll go during summer. Instead I’ll be applying to the local juried art and craft shows. That will get more exposure for both the artwork and the paints.

My next post will highlight some of the plans going forward. Look for more paints, more paintings, and some workshops.

 

 

 

Post header for Winter Solstice 2018

Winter Solstice 2018, New Year, and the Color Black

Full Moon and Meteor Shower at Winter Solstice 2018

Winter solstice 2018 in Northern Hemisphere will be at 4:23 PM on Friday, December 21. This is the longest night of the year, and although I typically think of it as a dark night, it won’t be this year.

With a full moon and meteor shower going on, it’s likely to be quite bright outside after the sun goes down.

Solstice Seems to be a better “New Year” Marker

I’ve always wondered why the winter solstice isn’t the marker for a new year. So before starting this blog post, I looked it up. And now that I know, I’m surprised that New Year’s eve is such an accepted celebration in today’s political and religious climate. The reasons for the date makes a lot more sense to me now. You can read more about it at EarthSky.org if you like.

I still like the winter solstice better, though, lol.

And it seems a fitting time of year to stock up on one of my favorite handmade watercolor paint colors: Black. I make the black from wood char, and this year I’m going to make a special batch of black paint from the wood that I burn on Mid-winter’s Day. I’ll call it Winter Solstice 2018.

For Winter Solstice 2018 my musings are about the symbolism of black and the making of a special batch of handmade watercolors.

It’ll look just like the other blacks that I make, though, so the only difference will be the metaphysical.

If you want to read more about how I make the paint, visit my Paleo Paints website.

 

The Color Black from a Physical and Metaphysical Standpoint

Technically, each color is represented by specific wavelengths on a spectrum that ranges from red to violet. Basically, the same colors you see in a rainbow. Black isn’t a ‘color’ because it has no specific wavelength. And neither is white, because it contains all of the visible wavelengths and has no wavelength of its own. (https://education.seattlepi.com/not-list-black-white-colors-physics-3426.html)

White is all of the colors in the visible light wavelengths, and black is the absence of all colors in the visible wavelengths. White contains all colors and black absorbs all colors. It is the metaphysical struggle between these two that give all of life purpose and meaning.

Just as a blank white page contains all the possibilities of what can be, the inky black screen of the resting mind is there to fill that page.

In nature, all living things are in a state of decay. All systems are in a state of decay. And all living things are also in a state of change.

The word ‘decay’ doesn’t necessarily mean ‘rotting’, although that is one meaning of it. As I am using it, and even in the unpleasant image of rotting, to decay means to break down to basic components.

Balance and Stasis

Balance is by nature a state of expended energy. When something is in balance, it is being pulled in opposite directions and compensation must be made to stay in balance. One little change can upset the balance if the thing in balance isn’t able to compensate for that change.

White is the complete and total opposite of black, and it represents the active state. All the other colors in between represent the struggle and chaos as the two opposites strive to gain an edge.

All things strive to move toward a state of chaos or randomness (https://www.physlink.com/education/askexperts/ae261.cfm). Without balance, there is chaos. So from a color standpoint, black represents the the resting state. It also represents chaos.

In nature, temperatures ‘want’ to return to extremely cold. Bodies want to be at rest. Light wants to return to darkness. Colors want to meld to black.

Black and White depend upon and feed each other.

It is the Balance of Life that holds it all in play. Once the game is over, it fades to black.

Black represents the beginning, and the end. The alpha and the omega. It is the natural state of existence. Only life pulls out color, warmth, and motion. This is why I say the Universe is a living organism. Once it dies, it all returns to cold, dark, black.

And yet black holds the potential of all possibilities of warmth, light, and colors. Of life. This is because it takes a ‘black body’ to heat up and emit the white light. Again, the two polar opposites cannot exist without each other.

Almost all of the concepts of religion are about the struggle between good and evil, or the balance between light and dark. In psychology there is the struggle between our nature’s ‘good side’ and ‘bad side’, with the supposedly ‘bad’ side being called the ‘shadow’ side, which makes me think of darkness and black, or evil and wrong.

In my worldview, it is not so much right or wrong, good or bad, but the struggle to maintain the balance between opposite pulls. This struggle is evident almost everywhere you look once you start to pay attention to the symbolism.

What I’ll be Doing to Celebrate a Return of the Light

So Winter Solstice 2018 is going to be a time of dabbling in the dark and welcoming in the light as I make black paint pigments and look forward to new colors going down on my blank white canvases in 2019.

To read about the making and use of my black handmade watercolor paint, read my post over at the Paleo Paints website. You can read my previous Winter Solstice posts too:

Winter Solstice 2015

Winter Solstice 2014

An End of Year Post: Things going on at Wild Ozark

It’s been a busy past few months at Wild Ozark. I haven’t posted as often as I normally do, and when the blog goes silent, it’s usually because there’s just too many other things on my plate. Just in case I don’t get a chance to make another post to commemorate the end of the year, I figured I’d better get one in today while I have a little time.

For the months of October and most of November I wore the Burnt Kettle hat. Rob’s sister Valerie came up to give me hand at the War Eagle fair in mid-October. Thank goodness she was here, because that was the first large event I’ve ever done and it was hard! There’s no way I could have done it on my own. And then Rob came home for a break from the desert, but half of that was spent also spent selling more syrup at a different festival in Texas.

New (to us) Truck

The first few days he was home we did a lot of driving around looking for the best deal on a new (used) truck. We ended up buying one in Oklahoma City. As it turned out, the first truck we looked at was the one we ended up getting.

Our end of year gift to ourselves. Very comfy and lots of room inside! 2016 Ford F150.
Very comfy and lots of room inside!

Paleo Paints

Since mid-November I’ve been busy busy working on wearing the artist’s hat. I’ve made a few new collections of Paleo Paints. You can read more about the latest collection at the art website (PaleoPaints.com) but here’s the cover images for all three so you can get an idea of the colors in each. No. 3 is at the Walton Arts Center’s little Holiday Market shop until Dec. 16. No. 4 still has one color not yet dry enough to ship so I bring it with me to sell in person but it should soon be ready to go up on Etsy, too. Collection No. 5 is listed at Etsy now, but there’s only two of those sets left.

All of them have similar shades, but there’s some differences in tone. I used purple sandstone in the last two and in the third collection several of the shades are from pink sandstone. I hope to have some more collections finished before end of year.

Right now I’m working on a Twisted Tree painting and I’m using mostly colors from Collection No. 5, but resorted to a wee bit of wood char that hasn’t made it into a collection since the Collection No. 1. I’ll need to make more of that one and include it in the next set. Here’s Twisted Tree No. 1, still in progress.

Twisted Tree No. 1. Still working on roots. Will move up to the limbs next.
Still working on roots. Will move up to the limbs next. Follow me on Instagram if you like to see the things I’m working on in real time.

These Twisted Trees are obviously fantasy trees. I have no photo to go on, and when I first start a new painting of this sort I have no idea what will emerge. The farther along I get with it, though, the clearer the image becomes in my mind and the better I know how to go forward. This one is a very masculine looking tree to me, wouldn’t you say?

Paleo Paint Plans

Soon I want to try making a set of oil colors. There’s a goshawk painting I want to do using them. It’ll be the first time working with oils, so I’m curious how that will turn out.

End of Year Celebrations

I hope you’re all having a good Christmas season. The entire holiday season always feels too rushed to me and I find by now I’m really looking forward to the start of the new year. Solstice is the date it seems like the new year should begin, though, so that’s the day I privately celebrate the end of year here at Wild Ozark. I look forward to the nights becoming shorter and the daylight lingering a little longer each day as the seasons build toward mid-summer.

Popup venue

Give Less, Give More – a Popup Show at the Johnson Mill

That’s the name of a sweet little venue that is popping up this weekend over at the Johnson Mill in Johnson, AR (between Springdale and Fayetteville.) Give Less, Give More is hosted by Good Acres Life, a local company owned by Mariette Spedale.

Give Less, Give More Popup venue at the Johnson Mill
Click to enlarge

Pick up some Paleo Paints or Paintings

I’ll be there with my latest collection of Paleo Paints and a bunch of prints and stickers made from my original Ozark earth colored paintings. You can find out more about the Soul of the Ozarks Collection No. 4 at my Paleo Paints blog. I just made a post that tells about each color and what rock or source it came from.

These are the colors and sources for Collection No. 4 in the Soul of the Ozarks Wild Ozark Paleo Paints.
These are the colors and sources for Collection No. 4 in the Soul of the Ozarks Wild Ozark Paleo Paints.

At the same venue there will be other makers and holistic healthy kinds of business owners to visit. The weather forecast calls for rain Friday night, but I think it’ll arrive later than 7 pm, when our event ends for the evening. Saturday is supposed to be brilliant weather.

So What is the Meaning of “Give Less, Give More”?

I’m not sure, but here’s my interpretation. Rather than give a lot of inexpensive items that most often find their way to the neglected corner of a stash in someone’s closet somewhere, give them something that may cost a little more but delivers far more in value. My paints are not inexpensive. The set of 6 colors above will cost $55. But it’s the sort of gift that will definitely be used and appreciated by anyone who loves nature and likes to paint with watercolors. These colors aren’t going to be on the shelf at your local art supply store. These are Ozark colors, reflecting the very soul of these mountains. So, if all give is this one gift, it will mean more than giving lots of other little things that might add up to the same bottom line. How would you interpret the meaning of that phrase?

Stickers, Prints, Note Cards, and Paints

I’ll have prints in 8 x 10 and 5 x 7, note cards, and stickers with these images. And I’ll have five sets of the Collection No. 4.

Catching Up & Gearing Up for More Paint-Making and Paintings

For the past couple of months I’ve been busy with festival-going and getting ready for more festival-going for the Burnt Kettle Syrup. Then for the past couple of weeks, I’ve been enjoying time with Rob (Mr. Wild Ozark/Burnt Kettle). Paint-making and painting has been on the sidelines for a while.

But it’s time to get back to work now. Lots of events coming up over the next couple of months that involve my art.  So I am gearing up for that now. (See my Schedule calendar to keep up and get locations/times information).

  • Demo Day- the artists of Kingston Square Arts will be demonstrating their crafts. I’ll be making watercolor paint from local rocks.
  • Holiday market- my work will be on display and for sale at the Walton Arts Center/McBride Studio from Nov. 23 to Dec. 1
  • Give Less Give More- a popup market hosted by Good Acres at Johnson Mill in Johnson, AR
  • Fayetteville Farmer’s Winter Market- tentatively I will be back at the market on Dec. 8
  • Local Juried Event Applications- there are some art shows I want to enter for next year with deadlines in December this year

Before the Painting

First I have to make the paint. I need a palette I can use for my next project. Today I collected some rocks to use for the next round of paint making.

One of those rocks is the size of a flattened grapefruit, and I just know it’s going to make a fabulous color. It’s a soft sandstone, an ochre that left my fingers stained when I crushed a little of it in testing.

It’s a big enough rock so that I can make both a good sized batch of watercolors and test something brand new I want to try- my first handmade oil paint.

A flattened grapefruit sized rock that'll make some nice handmade paint!
A flattened grapefruit sized rock that’ll make some nice handmade paint!

I haven’t painted anything in a while and I’m overdue! The next picture is going to be my first attempt at an oil painting, with my handmade paints from Ozark colors. It’s going to be the first in a series of goshawks. The first one will be Rob’s, as all of the ‘firsts’ of any series always are. The northern goshawk is one of his favorite birds and I’ve been collecting permissions from photographers to get ready for this new line.

Future Paintings

Here’s one I’d like to do that I don’t yet have permissions, but I’m still trying to find out who the photographer is. I’ve found the photo in lots of places, but only recently found some that give credit to a photographer, so I’m waiting for response from an email I sent.

A female northern goshawk with prey.
A female northern goshawk with prey. I believe the copyright holder for this image is Jens Stahl of the Netherlands, but not sure. Waiting to hear back from this photographer so I can properly credit the photo, and if so, see if I can use it for a model in a painting.


Greens and Blues

I won’t be able to make this green, since we don’t have a light fast source for that kind of green. Blue is another color I can’t make from Ozark sources. I may decide to go beyond the Ozarks for stones I can use to make a good green, though. And to get a gray with the blue tones like this, I may need to use an outside source for that, too.

It’s hard to find good photos of this bird, although I have found some. Even when they are shown with photographer credits, it’s hard to get in touch with the photographers to get permissions to use it. If you know of one, please send me leads! Thanks in advance 🙂

The Latest Paint Collection

If you’d like to see more about Soul of the Ozarks Collection No. 3, I made a blog post at the Paleo Paints website about using the red leaves of black gum for one of the colors in the latest palette. I’ll have that collection of nine colors available to buy at the Holiday Market, and I’m working on the next collection now. Collection No. 4 will be ready for the popup on Dec. 1, or you can watch some of the process I use to make these paints at the Demo Day on Nov. 24.

Sunburst

2018 Autumn at Wild Ozark

It’s been several years since we’ve had the splendid colors we’re having this year. Today I went out to take some pictures to share of the 2018 Autumn at Wild Ozark. Some of the photos are from our driveway, some are down the road we take to get here.

Ozark Autumn 2018

In the first photo below, it’s not really this yellow. I was just playing with Photoshop and the preview wasn’t working so I couldn’t see what I had done until after it was saved. But it’s pretty. Looks how it does through my sunglasses 🙂

2018 Autumn. It's not really this yellow. I was just playing with Photoshop and the preview wasn't working so I couldn't see what I had done until after it was saved. But it's pretty. Looks how it does through my sunglasses :)
View through my sunglasses
The creek that runs alongside our driveway. Locally, it's known as 'the branch', but I call it the Wild Ozark creek.
The creek that runs alongside our driveway. Locally, it’s known as ‘the branch’, but I call it the Wild Ozark creek.
At the second Felkins creek bridge.
At the second Felkins creek bridge.

I’ll post more pictures later when I have time to transfer them from the camera and get them reduced in size. So far, the 2018 autumn is turning out to be pretty spectacular. Every year I wait for the leaves to turn, and it seems like a big wind comes and blows it all away before it has a chance. Or they just go from green to brown.

Is autumn beautiful where you are?

Previous Years

Here’s some links to the posts I’ve made in previous years about the fall colors out here. 2017 Colors and more. Here’s one of the 2015 Colors  

Black Gum autumn leaves, leaching plant pigments

Plant Pigments- in search of a stable green, the latest painting and the next show

Between getting the house clean today, since it’s raining and I couldn’t be outside weed-eating, I’ve been making a mess in the kitchen. People have to not take things at face value in this house. What looks like refreshing tea… just might not be. My kids know by now that not everything they see in my refrigerator or on the counters is meant to be eaten. More often it’s something to do with an herbal remedy in progress. Or plant pigments. Or rock dust tea.

It might look like something delicious... but it's pink sandstone dust. Gritty.
href=”https://www.wildozark.com/wp-content/uploads/2018/10/rock-dust-tea.jpg”> It might look like something delicious… but it’s pink sandstone dust. Gritty.[/
The pink sandstone project was a few weeks ago. Today I had the same equipment out to do some separating of some different ‘teas’.

Still Looking for Green

I’m always on the lookout for some plant or rock that will give me a green or blue paint. Today, entirely coincidentally, I might have found my green.

Will it last? This new paint made from plant pigment will undergo light-fast testing to see if it's stable. Fingers crossed!
“https://www.wildozark.com/wp-content/uploads/2018/10/green.jpg”> Will it last? This new paint made from plant pigment will undergo light-fast testing to see if it’s stable. Fingers crossed![/captio
So we’ll have to wait about a month to know whether this is a success or failure in my quest to find a stable green color for my palettes. If you want to stay updated on that, check back here or check out my new blog dedicated to the making of Paleo Paints. When I get the post up there, it’ll go into a lot more detail on how I’ve made the paint and what I do to light-test.

Update 8/17: I’m sad to report that it won’t take a month to know the answer. It isn’t going to last. Both the exposed and the strip in the dark are showing degradation.

My Latest Painting

I finished this fox the other day. Originally, my plan was to do three of them quickly so I could give them to the grandbaby girls for Christmas. But this little fox wasn’t easy and it took far longer than I thought it would. So what I’ll do is make prints of this one for them instead.

All colors are from paints I made using local resources right around the house. All but the brown-brown are in Collection No. 1.
://www.wildozark.com/wp-content/uploads/2018/10/finished-low-res.jpg”> All colors are from paints I made using local resources right around the house. All but the brown-brown are in Collection No. 1. The reddish brown is Nirvana and Intoxicating, which are in the collection. You can see all of the work I’ve done so far at my gallery page.

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The next Appearance

The Burnt Kettle booth will be at War Eagle this weekend, so come out to say hello. I’ll be there, probably shivering and hiding out from the rain inside the booth.

Next stop for Wild Ozark is at the Walton Arts Center Holiday Gift Market. I’ll have prints, paints, cards, and stickers available for sale. The cards are an affordable way to get a print, if you frame them rather than send them 🙂 I’ll have signed/numbered prints of Kestrel No. 1, Pelican No. 1, and Kestrel No. 2. Maybe I’ll have the prints back for the fox and crow by then too, but not sure. The dates for that show is Nov. 23 through Dec. 16.

Making Paint from Pink Sandstone of the Ozarks

I’ve been busy as a bee lately making more and more paint. Even though this week my intention was to focus solely on getting ready for upcoming shows and festivals, the lure of a large chunk of pink sandstone seduced me. I couldn’t help it, and I gave in to make more paint.

Collection No. 2

Soul of the Ozarks
Collection No. 2

Collection No. 2 has some of my preliminary experiments with pink sandstone, though. There are three colors in this set. A full pan of Frenchie, made with French green clay, Brown Sands, and Pink Sands.

The color swatches for Soul of the Ozarks, Collection No. 2.
The color swatches for Soul of the Ozarks, Collection No. 2.

 

Frenchie

Although French green clay is from France, I included it in this palette for a couple of reasons. So far I haven’t found a good light-fast local source to make any shade of green.

But I don’t feel like it’s much of a stretch to include this color in my Soul of the Ozarks collections. France once owned the territory that includes the Ozarks, so it’s part of our rich history.

This isn’t one of my favorite pigments, but I use it a lot. The reason I am not so enamored is because the pigment is weak. It takes a lot of building to get a good green out of it, but it’s easy enough to get a sheer and light green tint.

Brown Sands

This color is a filtered one and the pigment is sheer tan brown. It is less textured than whole-stone paints.

Pink Sands

More Pink Sandstone Color Experimentation

I found a large chunk of pink sandstone last week and earlier this week while I had the help of my friend Allyssa, we started work on a good-sized batch of pigment.

The chunk of pink sandstone after I broke it into smaller chunks.
The chunk of pink sandstone after I broke it into smaller chunks.

Since I had such a nice amount to work with, I decided to separate this stone into the various weights that make up the shades of pigment in it. What I hoped was to get more of the pink somewhere in there. But none of them are truly pink.

What I ended up with were heavy weights, middle weights, and light weights. Then I also separated out super lights from the light end. This is a long process involving water washes and precipitation of the particles.

Separating the heavy, middle, and light color shades from pink sandstone.
Separating the heavy, middle, and light color shades from pink sandstone.

Shades of Pink

Here’s what I have so far. There weren’t much ‘middles’ so I made a gouache of that. A gouache is somewhat more opaque than watercolor because it contains calcium carbonate (limestone). If I add this to a paint, it makes it go farther. I’ll also make a gouache of what’s left of the ‘lights’, to see if it’s different than the middle pink gouache.

Shades of pink sandstone. Still waiting on the rest of my lights to settle so I can make a 'lights gouache'.
Shades of pink sandstone. Still waiting on the rest of my lights to settle so I can make a ‘lights gouache’.

Want to Buy?

If you want any of my sets of paints, for now either find me at one of the shows I go to, or email me for an invoice. The experiment isn’t finished yet and those paints aren’t available. But Collection No. 2 is (I have 4 left). They’re $30, and are packaged to make great gifts. 

Once I’m done with this year’s shows, I’ll set up the items in my online shop here and maybe also at Etsy. That should be somewhere around the end of November. By that time, I should also have another collection of 6 colors.

Brown paint from the hard rock.

Brown Earth Pigment for my Handmade Watercolor Palette

My son found a rock alongside the driveway, near the creek. He kept it to give me since he knows I’ve been smashing a lot of rocks lately. This one seemed like it would be a great rock to make some of my earth pigments and handmade watercolors. It was mostly black, with some brown.

I thought so too. It appeared to be black sandstone – and I need another source of black.

With some sense of excitement, I took out my hammer and pounding board (otherwise known as a chopping block to those who actually cut up things to cook).

That rock surprised me. It surprised me in a couple of ways. First, it wouldn’t break. I mean I pounded that rock so hard it broke the board beneath it.

So I took it outside. Finally I did manage to break off a small sliver. Considering how much effort it took to break even the tiniest piece of it off, doubts about making paint from it had begun to cloud my happy day.

Before I set to reducing the sliver to dust, I looked at it under the magnifying loop. Lots of little pockets of shiny, glassy, black were there. It looked like obsidian or glass. So I took some pictures of the rock and tested it to see if a magnet would attract to it. Nope.

One of the state geologists said it may be 'carbonated sandstone', which is typically very hard. Makes a nice brown paint, though.
One of the state geologists said it may be ‘carbonated sandstone’, which is typically very hard.

Just a really hard rock with interesting black glassy bits. Not to be deterred so easily, I put the sliver into my handy stainless steel mortar and used the hammer on the pestle to crack it some more.

It didn’t surprise me that it was hard to grind to a powder. In fact, I was only able to reduce a small portion of it to actual powder. The rest was far too grainy to use for paint.

But I took the powder I did get and made the little pile on my mulling board and put the media in it.

And that’s where the second surprise happened. That powder, which still felt very gritty to my fingers, mulled down to the smoothest paint ever.

And not only that, it made the brownest brown I’ve found yet. This part really excited me.

But not enough to make me try to grind any more of it. My wrists were sore from the first attempt.

I kept the rock and will see if I can make more brown later from it. This is one color I doubt I’ll ever sell, just because for one, I’m not sure where to get another rock like that. And two, because it’s just far too hard to grind.

However, the brown compliments my own personal set of paints quite nicely and I’ve used it in the pelican I’m painting now. It was the best color for the job and I’m glad I had it on hand. It probably gets the color from manganese.

Thanks, Garrison! Pick up any other rocks you might think I’ll like in in the future.

Brown paint from the hard rock.
I think I’ll call this one “Hard Rock Brown”.