Test Firing the Native Clay – Failure and Success

Yesterday I posted about cleaning the native clay and the test firing I planned to do once they dried out enough.

I’m too impatient. I should have waited another day, maybe even longer because the clay was pretty wet when I first worked the little ball and circle.

They exploded to smithereens almost as soon as I put them in the coals.

Plan B

So, I pulled out the first test ball I’d made a while back. It was in storage in my studio/office and I KNEW it would be dry. I had already fired it for a short amount of time last winter. I hoped this would compare to a “bisque” firing, because what I planned to do with it would test the limits.

It wasn’t as smooth and I hadn’t burnished it, but it was made the same clay. This was just one of the small clean clay lumps in the chunk, so it hadn’t gone through the sieves and process the others had.

Test Firing and Pushing the Limits

I opened the wood stove, made a nice little bed of glowing embers, where the previous test pieces had been but now were nowhere to be found, put the test ball in the embers and covered it with more hot coals.

Test firing underway, and quiet so far. Unlike the previous episode that sounded like fireworks going off inside the wood stove. Whew.

When the little ball became red hot I pulled it out with the tongs and dropped it into cold water as if I were making a Raku pot and ducked for cover.

It survived!

This was once the same color as the test pieces I just blew to smithereens in the test firing.
This was once the same color as the test pieces I just blew to smithereens in the test firing. It was not as smooth or “finished” as the original test piece.

Now it has some blackened areas and some rust colored area and I like it. More tests to come once the new pieces dry much longer. Very encouraged in spite of this little setback. I learned some things!

More Stress Testing

Next I wanted to know if I could drill into it with my Dremel tool. Sometimes I just need to put a hole into pieces I’m working with. If I’d think of it before firing, I could just put the hole in before the clay hardens.

Anyway, it did take the drilling okay. I lost my grip on it for a second and it twisted, resulting in a flake chipping off of it, but not too bad.

After the test-firing, I wanted to put a hole in the top of this so I could insert the stem and glue it. Now, this little "Folk" will have an interesting hair piece made from the clematis seedpod.
After the test-firing, I wanted to put a hole in the top of this so I could insert the stem and glue it. Now, this little “Folk” will have an interesting hair piece made from the clematis seed pod.

So that’s it for the reporting on my experiments for now. Tomorrow we’ll be at AFIC cooking more of our Burnt Kettle Shagbark Hickory Syrup. Then I’ll be getting ready for the market.

Market Plans

I’m not planning to bring my Forest Folk out again because they’re too fragile to keep boxing them up and setting them out, then reboxing and bringing them home over and over. If you want one and want me to bring it to market for you, just email me. Most of the market-goers are there for vegetables and bread, and crafts just aren’t doing very well, anyway.

If you’d like some hands-on fun at a Forest Folk Workshop, plan to attend in Winslow on December 16.

Next round of tests

Here’s the two I fired yesterday on 11/3/17. The one in the back hasn’t been fired yet. The one on the left was burnished before firing and the black one on the right was not. Both were dropped into water as soon as I pulled them from the fire. Both performed exceptionally! I can’t wait to make more things.

The second set of test pieces - they survived!
The second set of test pieces – they survived!

About Wild Ozark
Wild Ozark is a nature farm. Mostly we grow rocks. I use those rocks and some of the herbs to make earth pigments and watercolor paints. We also grow native clay that I use for paint and various other things. And then there are the trees. We grow lots of trees. My husband uses some for his woodworking and some for our Burnt Kettle Shagbark Hickory Syrup, but for the most part they stand around creating good air, shade, & habitat for the ginseng nursery.


Follow me on Instagram to keep up with paints, art, and random nature pictures I make in real time.

My art and paints are available on Etsy! But if you're interested in owning a Madison Woods original, follow me on Instagram or FB because sometimes they go out the door as soon as I make the final post to say they're done.


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About the voice behind this blog, Madison Woods
I'm a creative old soul living way off the beaten path with my husband in the wild Ozark Mountains. You can find my art on display and for sale at the Kingston Square Arts shop in Kingston, Arkansas. It's a tiny little town and a bit off the path to anywhere at all, but a wonderful ride out to a most beautiful part of our state. Besides homesteading, growing plants & making arts & crafty things, I write books and stories. My rural fantasy fiction, written under the pen name, Ima Erthwitch, usually takes place in a much altered Ozarks.

Published by Madison Woods

Madison Woods is a Nature Artist & Fantasy Author living in the wild Ozark hills of northwest Arkansas. She uses native rocks, clay, and botanicals to create works of art to capture the magic of nature. Her writing reflects her love of adventure in the rural outback.

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2 Comments

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  1. I’m glad you learned something from the failed attempts. To take it to a different level, we all need to try to learn from our failures, because we will fail. Edison had a famous quote about that: “‘I have not failed. I’ve just found 10,000 ways that won’t work.” 🙂

    Our farmer’s market is officially over for the year, but a few vendors will come the next two Saturdays. I miss it when it’s over and I miss the one we had in Cleveland that was open all but a couple Saturdays a year and went inside during the winter.

    Happy Tuesday, Madison!!

    janet

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