I wear two hats with different names: Madison Woods when I’m wearing the artist hat, Roxann Riedel in real life and real estate. I'm a rock-smashing paint-making artist & a sales agent for Montgomery Whiteley Realty. Hailing from the wild Ozarks in Kingston, Arkansas where my husband and I work toward a sustainable lifestyle.

You can text or call to reach me by either name (see above):
(479)409-3429, or email madison@wildozark.com

Making Paint from Pink Sandstone of the Ozarks

I’ve been busy as a bee lately making more and more paint. Even though this week my intention was to focus solely on getting ready for upcoming shows and festivals, the lure of a large chunk of pink sandstone seduced me. I couldn’t help it, and I gave in to make more paint.

Collection No. 2

Soul of the Ozarks
Collection No. 2

Collection No. 2 has some of my preliminary experiments with pink sandstone, though. There are three colors in this set. A full pan of Frenchie, made with French green clay, Brown Sands, and Pink Sands.

The color swatches for Soul of the Ozarks, Collection No. 2.
The color swatches for Soul of the Ozarks, Collection No. 2.

 

Frenchie

Although French green clay is from France, I included it in this palette for a couple of reasons. So far I haven’t found a good light-fast local source to make any shade of green.

But I don’t feel like it’s much of a stretch to include this color in my Soul of the Ozarks collections. France once owned the territory that includes the Ozarks, so it’s part of our rich history.

This isn’t one of my favorite pigments, but I use it a lot. The reason I am not so enamored is because the pigment is weak. It takes a lot of building to get a good green out of it, but it’s easy enough to get a sheer and light green tint.

Brown Sands

This color is a filtered one and the pigment is sheer tan brown. It is less textured than whole-stone paints.

Pink Sands

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More Pink Sandstone Color Experimentation

I found a large chunk of pink sandstone last week and earlier this week while I had the help of my friend Allyssa, we started work on a good-sized batch of pigment.

The chunk of pink sandstone after I broke it into smaller chunks.
The chunk of pink sandstone after I broke it into smaller chunks.

Since I had such a nice amount to work with, I decided to separate this stone into the various weights that make up the shades of pigment in it. What I hoped was to get more of the pink somewhere in there. But none of them are truly pink.

What I ended up with were heavy weights, middle weights, and light weights. Then I also separated out super lights from the light end. This is a long process involving water washes and precipitation of the particles.

Separating the heavy, middle, and light color shades from pink sandstone.
Separating the heavy, middle, and light color shades from pink sandstone.

Shades of Pink

Here’s what I have so far. There weren’t much ‘middles’ so I made a gouache of that. A gouache is somewhat more opaque than watercolor because it contains calcium carbonate (limestone). If I add this to a paint, it makes it go farther. I’ll also make a gouache of what’s left of the ‘lights’, to see if it’s different than the middle pink gouache.

Shades of pink sandstone. Still waiting on the rest of my lights to settle so I can make a 'lights gouache'.
Shades of pink sandstone. Still waiting on the rest of my lights to settle so I can make a ‘lights gouache’.

Want to Buy?

If you want any of my sets of paints, for now either find me at one of the shows I go to, or email me for an invoice. The experiment isn’t finished yet and those paints aren’t available. But Collection No. 2 is (I have 4 left). They’re $30, and are packaged to make great gifts. 

Once I’m done with this year’s shows, I’ll set up the items in my online shop here and maybe also at Etsy. That should be somewhere around the end of November. By that time, I should also have another collection of 6 colors.


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