Follow along through the steps I take to create an earthy painting. My process isn’t pretty, as I tend to make mistakes. But things usually turn out alright in the end 🙂
I’ve been struggling with the cedar trees in my painting. And there’s been a problem with colors in my trees in the middle ground. Most of my paint are variations on sepia.
I’ve been working on this painting for a while now. The sky is the farthest background, so that’s the area of focus. All the while it’s been pretty standard, putting paint here and there, by design or by whim. But …
This old shed is one of my most photographed subjects. I take pictures of it in various weather, lots of sunsets, and throughout the seasons. Now it’s time for an Old Shed with Red Sunset painting, using my Ozark pigment …
While working on my fence lizard painting, I had leftover paint on the palette when finished for the day. So I decided to use it to start a new painting on the same size board, a small narrow 8″ x …
There are a lot of parallels between the kind of art I make and the Slow Food movment from a decade or so ago. My style is also very much ‘back to nature’.
There’s something magical about the way it looks on a misty Autumn morning in the Ozarks. Several years ago, I took a photo of my neighbor’s field towards the bridge for Felkins creek that’s near our house. While going through …
Last week in my garden, all of the reptilian (and one amphibious) creatures were out and about. This handsome skink came out to pose for me, so I figured I’d paint his portrait.
Currently on my easel is a portrait in progress of a gorgeous blue-eyed juvenile raptor. It’s a painting of a Cooper’s hawk. As he matures, his eyes will change to yellow, orange, or red.
My granddaughter Karter’s birthday is coming up soon, and this year she wants a painting of a tipi. I love the evolution of subjects the kids choose as they grow up and I hope they never grow tired of getting …
Originally posted in 2020. I’m going through some of the older posts on my blog and refreshing them. This one really doesn’t need any changes, but it’s been a while since I’ve showcased my bald eagle painting.
I’ve begun broad-wing hawk #2, using the same sized canvas and a similar background as the first one. Since this one has just nabbed a frog, the title is ‘Dinner Time’.
Today is Wednesday (Jan 17, 2024) and there’s still snow on the ground outside from last week’s arctic blast. The horses and cat are fed, husband and myself already had breakfast, and the hot water lines are still frozen, along …
While the background is drying on my cow painting, I’m going to start on this 12 x 12″ painting of a broad-winged hawk on canvas. It’s been cold in the studio and that causes oil paints to take even longer …
This is Ghost, a puppy I once loved. I painted the background in the first photo a few days ago in preparation for his portrait. The rest of the painting took place today, and it’s the first time I’ve felt …
I find it odd that I can paint an animal fairly well, but throw a human into the mix, and if there’s a face, I balk. Human faces are one of the biggest obstacles in my art journey, and I …
I’m currently painting a French bulldog pup. This is my youngest son’s fur-baby. He’s not so little as this photo anymore, but Garrison wanted one of him as a puppy, and then another later as an adult.
This photo taken by my dad is the reference I’m working from. In this memorial gift painting, there’s a lot more bright green than something I’m accustomed to. I’m not sure my pigments will get quite there, but
This is a 5 x 7″ commission of Limelight hydrangeas. I’ll use my Ozark pigments in oils plus white made from titanium. For the green, I’ll use a combination of the yellow lake pigment that I made from thyme I …
Sometimes they’re just gnarly, twisted trees. Welcome to my progression page for a Twisted Tree in Ozark pigment oils. My Twisted Tree paintings fall into a category all by themselves. These paintings have no direction, and I just go wherever …
A week or so ago, I started working over the underpainting I’d made for this scene. This one is different from the other two in a significant way. I didn’t have any reference photos when I started working on it …
