A collection of 3 Ozark pigments made from local, foraged stone, in large, removable 26 mm metal pans in a reusable magnetized case. Includes Yellow Murdock, Ozark Green, and Bone Black.
All colors in this set are earth pigments and light fast, and came from rocks foraged right here at Wild Ozark in Madison county of northwest Arkansas. The geological makeup of the mountains here change considerably from location to location. Even within the Kingston area, there are some locations that are mostly limestone type rocks and some locations that are mostly sandstone, shale, and clay. I feel very fortunate that our land is mostly of this latter assortment.
The assortment of colors I’m able to derive from our own stone is impressive. The only color range I have not found yet is blue. At least there is now a sort of green (‘Ozark Green’, included in this set). I gather stones from all around our own 160 acres here, and also from Felkins creek and King’s river. Both of these other locations are a short distance away from our gate, and the makeup is similar. However, the only place I’ve been able to find the pigment that goes into the color I call “Blood of the Ozarks” comes from tiny little non-sandy pebbles I find on the rocky beaches of Kings river.
The Stone & Bone Pigments of 2021-03
These are the colors included in this set. You can read about more of the other stones I use for pigments here. All of the pigments in this particular set were derived from stones found here at Wild Ozark.
This color is sourced from a combination of two sandstones. Sometimes, when I’ve worked with a pigment that is rich with color, rather than wash whatever is left on the mulling plate down the drain, I’ll add more of a neutral color to the plate and see if I can’t create something new. Such is the case with Murdock Yellow. The yellow was rich and left a lot behind. The Murdock was neutral and picked up the yellow nicely. ily, stains. Washed pigment, from the lites of Murdock and lites of Yellow. Smooth mostly, light grainy texture on heavier applications.
From a fine grained sandstone (maybe it is a siltstone) that yields a grayish green. It is the closest thing to green I have been able to find in a lightfast earth pigment from this area. Washed pigment, from the heavies portion. Slight grainy texture.
Made from deer bones, charred in our woodstove during winter months. Bone makes a velvety black that ranges from gray to opaque black. It is a matte color, like most earth pigment paints. Texture on the paper is smooth.
A Note about Color Reproducibility & Transparency
All of my colors are made from natural foraged rocks, clay, or other resources. While I may be able to come close to reproducing the color later, it’s very unlikely I’ll get an exact match. There’s enough pigment in each of these pans to paint several paintings in the style I produce. A little bit does seem to go a long ways. But if you want to make sure you’ll have more of the exact same shade, inquire to see if there is more from this same batch. It may not be in the same form, but should at least be the same color. I often pour cubes at the same time as I’m making a set like this one.
Watercolor paints made from earth pigments are not as transparent as those you might be used to. All of them are more similar to gouache than not. The ones I’ve labeled ‘gouache’ are more opaque than the pigments alone. The only ones of my paints that are truly transparent are those from plant pigments, like the sassafras root bark in this collection. You can see the paintings I’ve made using these paints at www.PaleoPaints.com if you’d like to get an idea of how they look. I also have samples and sample sets ranging from $1 – $10. Email me if you’d like me to put together a sample set for you or if you’d like a single. My address is [email protected]