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Soul of the Ozarks | 2020 Collection No. 17 | A Rosy Triple

$45.00 $35.00 $35.00.

These gorgeous Ozark pigments are all light fast and permanent. They come in metal 26mm pans and rest on a magnetic base in a reusable hinged tin.

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SKU: paint-2020-soul-17 Category: Tags: ,

A rosy triple collection of 3 Ozark pigments made from a single local, foraged stone, in large, removable 26 mm metal pans in a reusable magnetized case.

All colors in this set are earth pigments and light fast, and came from rocks foraged right here at Wild Ozark in Madison county of northwest Arkansas. The geological makeup of the mountains here change considerably from location to location. Even within the Kingston area, there are some locations that are mostly limestone type rocks and some locations that are mostly sandstone, shale, and clay. I feel very fortunate that our land is mostly of this latter assortment.

The assortment of colors I’m able to derive from our own stone is impressive. The only color range I have not found yet is blue. At least there is now a sort of green. I gather stones from all around our own 160 acres here, and also from Felkins creek and King’s river. Both of these other locations are a short distance away from our gate, and the makeup is similar. However, the only place I’ve been able to find the pigment that goes into the color I call “Blood of the Ozarks” comes from tiny little non-sandy pebbles I find on the rocky beaches of Kings river.

The Stone Pigments: A Rosy Triple

These are the colors included in this set. You can read about more of the other stones I use for pigments here. All of the pigments in this particular set were derived from one stone that was bi-colored. Half was very dark, almost black, and the other half was rosy.

Black Rosy Gouache

This is the dark portion of the same stone that made all of the ‘Rosy’ colors. When I broke the stone initially, I decided to hold the almost black parts aside and make a separate color from it. When I’m done mulling a particularly pigment-rich shade, I will sometimes use a lighter color or calcium carbonate to ‘pick up’ the remnants on the mulling board. It only takes a small amount of this rich pigment to tint enough of the white to make a nice shade.

That’s why I make the gouaches. This is one that can stain, so I wouldn’t use it for making that initial sketch unless you’re willing to roll with whatever you get.

Rosy Lites

This is a slightly reddish rusty brown. Sometimes a russet will be more orange than red, sometimes more brown than orange. This one has a slight rosy tone. When a stone is large enough, after I grind it I’ll separate the pigments by washing them.

What happens is that the larger or denser particles sink to the bottom of the jar and the smaller particles float. So I pour the colored water into a separate jar and let those settle over the course of a day or two. Those are the ‘Lites’. Usually this is pigmented clay, and it makes a very fine, rich paint. The heavies are retained and either made into paint as they are, or ground some more, maybe washed and separated again, or used as is.

Rosy Gouache

The same stone used to make the previous two colors, but this is what was left on the mulling plate combined with Ancient White. See first color description for more info on why I do this.


A Note about Color Reproducibility & Transparency

All of my colors are made from natural foraged rocks, clay, or other resources. While I may be able to come close to reproducing the color later, it’s very unlikely I’ll get an exact match. There’s enough pigment in each of these pans to paint several paintings in the style I produce. A little bit does seem to go a long ways. But if you want to make sure you’ll have more of the exact same shade, inquire to see if there is more from this same batch. It may not be in the same form, but should at least be the same color. I often pour cubes at the same time as I’m making a set like this one.

Watercolor paints made from earth pigments are not as transparent as those you might be used to. All of them are more similar to gouache than not. The ones I’ve labeled ‘gouache’ are more opaque than the pigments alone. The only ones of my paints that are truly transparent are those from plant pigments, like the sassafras root bark in this collection. You can see the paintings I’ve made using these paints at www.PaleoPaints.com if you’d like to get an idea of how they look. I also have samples and sample sets ranging from $1 – $10. Email me if you’d like me to put together a sample set for you or if you’d like a single. My address is [email protected]

Weight 4 oz
Dimensions 8 × 2 × 2 in

Wild Ozark™


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